《三圣王祠》凡尔登的尼古拉斯(Nicholas of Verdun)高清作品欣赏

凡尔登的尼古拉斯(Nicholas of Verdun)高清作品《三圣王祠》

作品名：三圣王祠

艺术家：凡尔登的尼古拉斯

年代：c.1200

风格：莫桑艺术

类型：宗教绘画

大法师神社是中世纪最大、艺术意义最重大、内容最雄心勃勃的信物。这些文物是1164从米兰运到Cologne的。从大约1190年到1220年，许多工匠在凡尔登的金匠尼古拉斯的工厂和科隆的工厂以及继续他的工作的墨斯河沿岸的神庙里工作。神龛上的装饰品包括金银浮雕、火金雕像、镶有宝石和半宝石的细丝镶板、凹版画和浮雕，以及用搪瓷装饰的柱子、拱门和轮廓。在神龛上描绘的图像包括从时间的黎明到最后审判的救赎历史。尽管在1794年被法国革命军藏匿后，这座神殿被缩短了一条轴线，但在最近的修复时期（从1961年到1973年），它基本上恢复了原来的形状。中世纪的目的是把神龛放在十字路口。然而，今天，它上升到内唱诗班后面的中世纪高坛之上，使这个地区成为哥特式大教堂的主要焦点，哥特式大教堂是作为这个珍贵的神殿的石头圣地建造的。

Title:Shrine of the Three Holy Kings, Back Side

artist:Nicholas of Verdun

Date:c.1200

Style:Mosan art

Genre:religious painting

The Shrine of the Magi is the largest, most artistically significant, and, in terms of its content, most ambitious reliquary of the Middle Ages. The relics were brought to Cologne from Milan in 1164. From about 1190 to 1220 a number of artisans worked on the shrine in the workshop of the goldsmith Nicholas of Verdun and in workshops in Cologne and along the river Meuse that continued his work. Ornamentation on the shrine includes gold- and silver-embossed, fire-gilded figures, filigree panels set with precious and semi-precious stones, intaglios, and cameos, and columns, arches and profiles trimmed with enamels. The images depicted on the shrine include scenes from the history of salvation from the dawning of time to the Last Judgment. Although the shrine was shortened by one axis after being hidden from French revolutionary troops in 1794, it was largely restored to its original shape during the most recent period of restoration, which lasted from 1961 to 1973. The intention in the Middle Ages was that the shrine would be placed in the crossing. Today, however, it rises above the medieval high altar at the back of the inner choir, making this area the main focus of the Gothic cathedral, which was built as a stone reliquary for this precious shrine.