《鞭打基督》皮耶罗·德拉·弗朗西斯卡(Piero della Francesca)高清作品欣赏

皮耶罗·德拉·弗朗西斯卡(Piero della Francesca)高清作品《鞭打基督》

作品名：鞭打基督

艺术家：皮耶罗·德拉·弗朗西斯卡

年代：c.1445 - 1450

风格：早期文艺复兴

类型：宗教绘画

介质：面板,彩画

标签：基督教，Jesus Christ，耶稣基督的鞭挞

尺寸：59 x 81.3 cm

收藏：国家美术馆（National Gallery of the游行（乌尔比诺公爵的宫殿，乌尔比诺，意大利）

这幅画被称为世界上最好的小画，23英寸32英寸。这幅画的题材和构图是不寻常的，绘画中的肖像画也有很多猜想。这幅画描绘了基督在开放的庭院里鞭笞的情景，而三个身份不明的人站在前景中漠不关心。这幅小画因使用了线性透视而受到赞誉，它把背景中的人物描绘得比前景中的人物要小。许多解释围绕着作品，并且大多数集中在画前景中的三个人，他们身份不明。理论范围从皮耶罗时代的杰出人物，到本丢·彼拉多和其他犹太人，再到皇帝和年轻人身边的天使。

Title:The Flagellation of Christ

artist:Piero della Francesca

Date:c.1445 - 1450

Style:Early Renaissance

Genre:religious painting

Media:panel,tempera

Tag:Christianity,Jesus-Christ,Flagellation-of-Christ

Dimensions:59 x 81.3 cm

Location:National Gallery of the Marches (Palazzo Ducale di Urbino), Urbino, Italy

A diminutive 23 by 32 inches, this painting has been called the best small painting in the world. The subject and composition of the painting is unusual, and the iconography in the painting has been subject to much conjecture. The painting illustrates the flagellation of Christ in an open courtyard, while three unidentified men stand indifferent in the foreground. The small painting is lauded for the use of linear perspective, by portraying the men in the background at a smaller size than those in the foreground of the painting. Many interpretations surround the work, and most are focused on the three men in the foreground of the painting, who are unidentified. Theories range from the men being men of note in Piero’s time, to Pontius Pilate and other Jews, and an angel flanks by and emperor and young man.