《安达卢西亚的狗（电影依然）》萨尔瓦多·达利(Salvador Dali)高清作品欣赏

萨尔瓦多·达利(Salvador Dali)高清作品《安达卢西亚的狗（电影依然）》

作品名：安达卢西亚的狗（电影依然）

艺术家：萨尔瓦多·达利

年代：1928

风格：超现实主义

类型：照片

收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国

作为第一部非连续场景的超现实主义电影，安达洛重现了一个梦幻般的场景，其中图像以蒙太奇剪辑的形式呈现，作为挖掘潜意识的手段。这部影片仍然来自于联合安达鲁，这表明了超现实主义对震惊和身体侵犯的热爱。这里，用牛眼代替这个女人的眼睛，在下一个画面中，这个女人的眼睛被一个剃刀刀片割伤了。据报道，Dali帮助Luis Bunuel拍摄了一个星期的病假。其他场景还包括一名妇女在角落里畏缩着，害怕两具披在大钢琴上的驴子尸体，而据推测，她的求婚者正看着蚂蚁从他手掌上的污点状刺伤处爬出来。

Title:Un Chien Andalou (film still)

artist:Salvador Dali

Date:1928

Style:Surrealism

Genre:photo

Location:Museum of Modern Art (MoMA), New York City, NY, US

Considered the first Surrealist film for its non-sequential scenes, Un Chien Andalou recreates a dream-like setting in which images are presented in montaged clips as a means of tapping the unconscious. This film still from Un Chien Andalou is indicative of the Surrealist love of shock and bodily violation. Here, a cow's eye was used to stand-in for this woman's eye, which, in the next frame, was shown slashed by a razor blade in extreme close-up. Dali was reportedly sick for a week after he helped Luis Bunuel shoot the scene. Other scenes include a woman cowering in the corner in fear of two donkey corpses draped over grand pianos as her presumed suitor watches ants crawl from stigmata-like puncture wounds in the palm of his hand.