《寿贝吉》弗兰克·斯特拉(Frank Stella)高清作品欣赏

弗兰克·斯特拉(Frank Stella)高清作品《寿贝吉》

作品名：寿贝吉

艺术家：弗兰克·斯特拉

年代：1978

风格：抽象表现主义

类型：抽象

介质：搪瓷,金属,闪光

收藏：三藩现代艺术博物馆（SFMOMA），三藩，CA，美国

这幅画是斯特拉的《印度鸟》系列的一部分，艺术家进一步扩展了“绘画”的范畴。“斯特拉”用涂有花纹的铝制曲线形式突出到观众的空间中，增加了作品的类对象性，降低了作品的外观。挂在墙上的画。尽管斯特拉使用组装好的零件和三维元素，他仍然认为印第安鸟系列——当时他最具雕塑性的作品——是由绘画或浮雕组成的。当时，有些人认为“迪斯科舞厅式的”，这个系列色彩艳丽的调色板——通过将金属刮胡刀或磨砂玻璃的颗粒粘附到第一层颜色上，然后将其涂上或染色——对他的作品来说也是新鲜的。斯特拉1977年在艾哈迈达巴德逗留期间开始创作这个系列，以印度次大陆发现的鸟类命名这些作品。

Title:Shoubeegi

artist:Frank Stella

Date:1978

Style:Abstract Expressionism

Genre:abstract

Media:enamel,metal,glitter

Location:San Francisco Museum of Modern Art (SFMOMA), San Francisco, CA, US

The present piece is part of Stella's Indian Bird series, in which the artist further expanded the category of "painting." Stella deployed painted curlicue aluminum forms that jut out into the viewer's space - increasing the works' object-like nature and diminishing their appearance as paintings hanging on a wall. Stella's use of assembled parts and three-dimensional elements notwithstanding, he still regarded the Indian Bird series - at the time his most sculptural work - as consisting of paintings or painted reliefs. Seen by some at the time as "disco-like," the series' garishly colorful palette - produced by adhering particles of metal shaving or ground glass to a first layer of color, which were then painted or stained over - was also new to his oeuvre. Stella began the series during his 1977 stay in Ahmedabad, naming the individual works after birds found on the Indian subcontinent.