拉斐尔(Raphael)高清作品《教皇朱利叶斯二世的肖像》
作品名:教皇朱利叶斯二世的肖像
艺术家:拉斐尔
年代:C.1511-C.1512;意大利罗马
风格:盛期文艺复兴
类型:肖像
介质:油画,杨树
尺寸:108.7 x 81 cm
收藏:国家画廊,伦敦,英国
这幅肖像画是朱利亚诺·德拉·罗维尔,教皇朱利叶斯二世,在历时最短的一次秘密会议(他贿赂了所有人)后于1503年当选。他热爱战争,领导自己的军队;热爱艺术,创作西方历史上最伟大的作品:拉斐尔在梵蒂冈装饰的房间和米开朗基罗的西斯廷教堂天花板。该主题的呈现是不寻常的时间:以前的教皇肖像显示他们正面或跪在轮廓。在这段时间里,表演者也很明显地表现出一种特殊的心情。事实上,尤利乌斯很沮丧,因为博洛尼亚市已经脱离教皇国。他留着胡子,模仿文艺复兴时期人文主义者所发现的一种古老的哀悼方式,表达他对这场政治灾难的悲痛。正是胡须使得这幅肖像可以追溯到1511-12。在教皇的肖像画中,这种亲密感是前所未有的,但后来成为模特,随后是大多数未来的画家,包括塞巴斯蒂亚诺·德尔·皮安波和迭戈·维拉兹克斯。
Title:Portrait of Pope Julius II
artist:Raphael
Date:c.1511 - c.1512; Rome, Italy
Style:High Renaissance
Genre:portrait
Media:oil,poplar
Dimensions:108.7 x 81 cm
Location:National Gallery, London, UK
The portrait shows Giuliano della Rovere, Pope Julius II, elected in 1503 after one of the shortest conclaves ever (he bribed everyone). He was a lover of war, who led his own armies; and a lover of art, commissioning some of the greatest works in western history: Raphael's decorated rooms in the Vatican and Michelangelo's Sistine Chapel ceiling. The presentation of the subject was unusual for its time: previous Papal portraits showed them frontally or kneeling in profile. It was also exceptional at this period to show the sitter so evidently in a particular mood. In fact, Julius was depressed because the city of Bologna had seceded from the papal states. He expressed his grief at this political disaster by growing a beard, imitating what Renaissance humanists had discovered was an ancient form of mourning. It is the beard that enables this portrait to be dated 1511-12. The intimacy of this image was unprecedented in Papal portraiture, but became the model, followed by most future painters, including Sebastiano del Piombo and Diego Velázquez.
作品名称:《教皇朱利叶斯二世的肖像》拉斐尔(Raphael)高清作品欣赏
作品链接:https://www.mei-shu.com/famous/24868/artistic-121010.html
作品类别:油画
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