爱德华·马奈(Edouard Manet)高清作品:A Bar at the Folies-Bergere

爱德华·马奈(Edouard Manet)高清作品《A Bar at the Folies-Bergere》

作品名：A Bar at the Folies-Bergere

原名：女神游乐厅酒吧

艺术家：爱德华·马奈

年代：1882；Paris，France

风格：印象派

类型：风俗画

材质：布面油彩

标签：女性肖像、酒馆和旅馆

尺寸：96 x 130 cm

收藏：考陶德艺术学院，伦敦，英国，考陶尔德画廊，伦敦，英国

这幅画描绘了巴黎女神游乐厅夜总会的场景，被认为是马奈的最后一部重要作品。它也可以看作是二十世纪早期的产品布局，在酒吧的前景与啤酒，这显然是贝斯淡啤酒。作为英国第一个注册商标，这表明一个英国客户在酒吧那天晚上。关于这幅画的构图也有很多评论，起初这幅画似乎是背景中女孩的镜像。然而，仔细观察，很明显，放置是不正确的，它不能是镜像。其他的猜测包括前景中的女人是背景中的男人在接近酒吧时所看到的景象。

Title:A Bar at the Folies-Bergere

Original Title:Un bar aux Folies Bergère

artist:Edouard Manet

Date:1882; Paris, France

Style:Impressionism

Genre:genre painting

Media:oil,canvas

Tag:female-portraits,taverns-and-inns

Dimensions:96 x 130 cm

Location:Courtauld Institute of Art, London, UK, Courtauld Gallery, London, UK

This painting, depicting a scene at the Folies-Bergere nightclub in Paris, is considered Manet’s last major work. It can also be seen as early twentieth century product placement, with the beers in the foreground on the bar, which are clearly Bass Pale Ale. As England’s first registered trademark, this indicated an English clientele at the bar that night. There has also been much commentary on the composition of the painting, which at first seems to be a mirror image of the girl in the background. Upon closer inspection, however, it is obvious that the placement is incorrect, that it cannot be a mirror image. Other conjectures include that the woman in the foreground is the illustration of what the man in the background is seeing upon approaching the bar.