《手持调色板的自画像》爱德华·马奈(Edouard Manet)高清作品欣赏

爱德华·马奈(Edouard Manet)高清作品《手持调色板的自画像》

作品名：手持调色板的自画像

原名：自画像与托盘

艺术家：爱德华·马奈

年代：1879，Paris，France

风格：印象派

类型：自画像

材质：布面油彩

标签：名人画像

尺寸：83 x 67 cm

收藏：史蒂文·科恩收藏，格林尼治，CT，美国

尽管马奈经常把自己画进自己的场景，但这幅自画像只是艺术家自己的其中之一。这幅画是按照迭戈·贝拉斯克斯自画像（Diego Velazquez）在拉斯梅尼纳斯的风格画的，画家穿着棕色外套和帽子，手里拿着画笔和调色板。虽然这幅画是左手画的，但我们可以认为它是镜像，就像Manet是右手的。这项工作的X射线分析表明，马内特画了他的妻子，Suzanne Leenhoff（MANET）的画像。这是马奈唯一的自画像，他在自画像中把自己描绘成一个艺术家，正如他在许多其他画作中把自己描绘的那样，尽管在场景中把自己描绘成一个人物，如在《杜伊勒里音乐集》和《歌剧之球》中。

Title:Self Portrait with a Palette

Original Title:Autoportrait avec Palette

artist:Edouard Manet

Date:1879; Paris, France

Style:Impressionism

Genre:self-portrait

Media:oil,canvas

Tag:male-portraits,famous-people

Dimensions:83 x 67 cm

Location:Steven A. Cohen Collection, Greenwich, CT, US

Although Manet often painted himself into his scenes, this self-portrait is one of only two of just the artist himself. The painting, which was painted in the style of Diego Velazquez self-portrait in Las Meninas, portrays the artist in a brown coat and cap, paint brush and palette in hand. Although the painting shows the brush in the left hand, we can assume that it was mirror image, as Manet was right handed. X-ray analysis of this work has shown that Manet painted over a portrait of his wife, Suzanne Leenhoff (Manet), in profile. This is the only self-portrait in which Manet depicted himself as an artist, as he has included himself in many of his other paintings, albeit as a figure in the scene, as in Music in the Tuileries and The Ball of the Opera.