《摩洛哥人》亨利·马蒂斯(Henri Matisse)高清作品欣赏

亨利·马蒂斯(Henri Matisse)高清作品《摩洛哥人》

作品名：摩洛哥人

艺术家：亨利·马蒂斯

年代：1915—1916

风格：立体主义

类型：风俗画

材质：布面油彩

收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国

马蒂斯早在1913岁就策划了这幅画，它回忆了这次访问摩洛哥的情景。一个身影坐在右边，背对着我们，水果放在左边，一座清真寺在阳台后面升起。马蒂斯说，为了简化构图，他偶尔会在照片中使用黑色，尽管这里无疑也让人想起了该地区强烈的日照所产生的阴影。就像《河边浴》（1917）一样，摩洛哥人也深受毕加索立体主义的影响，有些人甚至把它比作毕加索的三位音乐家（1921）。虽然它采用了与马蒂斯的作品相同的明亮的颜色，但它使用抽象图案和僵硬的图解构图是不寻常的，并引起了相当多的猜测。而不是使用场景作为装饰的机会，就好像马蒂斯试图找到的手段，图表和地图。

Title:The Moroccans

artist:Henri Matisse

Date:1915 - 1916

Style:Cubism

Genre:genre painting

Media:oil,canvas

Location:Museum of Modern Art (MoMA), New York City, NY, US

Matisse planned this picture as early as 1913, and it recalls visits made to Morocco around this time. A figure sits on the right with a back to us, fruit lies in the left foreground, and a mosque rises in the background beyond a terrace. Matisse said that he occasionally used black in his pictures in order to simplify the composition, though here it undoubtedly also recalls the stark shadows produced by the strong sunshine in the region. Like Bathers by a River (1917), The Moroccans was significantly influenced by Picasso's Cubism, and some have even compared it to Picasso's Three Musicians (1921). Although it employs the same brilliant color as much of Matisse's work, its use of abstract motifs and rigid diagrammatic composition is unusual, and has attracted considerable speculation. Rather than use the scene as an opportunity for decoration, it is as if Matisse has tried to find the means to chart and map it.