《自画像模型》劳拉·奈特(Laura Knight)高清作品欣赏

劳拉·奈特(Laura Knight)高清作品《自画像模型》

作品名：自画像模型

艺术家：劳拉·奈特

年代：1913

风格：现实主义

类型：自画像

1913年，奈特创作了一幅女性艺术家的画《裸体自画像》，展示了她自己画的裸体模特，艺术家艾拉·纳珀。这幅画是一个复杂的，正式的构图。使用镜子，奈特画自己和Naper，看到有人进入他们身后的工作室。作为艺术专业的学生，奈特不被允许直接画裸体模特，但是像当时所有的女性艺术学生一样，被限制从演员阵容和复制现有的图画。奈特对此深恶痛绝，裸露的裸体肖像是对这些规则的明确挑战和反应。这幅画于1913年首次在新林的帕斯莫尔爱德华兹美术馆展出，并受到当地媒体和其他艺术家的欢迎。尽管皇家学院拒绝展出这幅画，但它在伦敦的国际雕塑家、画家和雕刻家协会上作为模型展出。《每日电讯报》评论家把这幅画称为“秃鹰”，并建议它“在艺术家的工作室里待得相当合适”。尽管如此，奈特仍然在整个职业生涯中展示这幅画，并继续受到媒体的批评。奈特去世后，这张照片，现在被称为自画像（1913），是由国立肖像馆购买的，现在被认为是女性自画像故事中的一项关键工作，象征着更广泛的女性解放。

Title:Self Portrait aka The Model

artist:Laura Knight

Date:1913

Style:Realism

Genre:self-portrait

In 1913, Knight made a painting that was a first for a woman artist, Self Portrait with Nude, showing herself painting a nude model, the artist Ella Naper. The painting is a complex, formal composition in a studio setting. Using mirrors, Knight painted herself and Naper as seen by someone entering the studio behind them both. As an art student Knight had not been permitted to directly paint nude models but, like all female art students at the time, was restricted to working from casts and copying existing drawings. Knight deeply resented this and Self Portrait with Nude is a clear challenge, and reaction, to those rules. The painting was first shown, in 1913, at the Passmore Edwards Art Gallery in Newlyn and was well received by both the local press and other artists. Although the Royal Academy rejected exhibiting the painting, it was shown at the International Society of Sculptors, Painters and Gravers in London, as The Model. The Daily Telegraph critic called the painting "vulger" and suggested that it "might quite appropriately have stayed in the artist's studio." Despite this reaction, Knight continued to exhibit the painting throughout her career and it continued to receive press criticism. After Knight died, the picture, now known simply as Self Portrait (1913), was purchased by the National Portrait Gallery and is now considered both a key work in the story of female self-portraiture and as symbolic of wider female emancipation.