恩德(Ende)高清作品《基督在云端的幻影》
作品名:基督在云端的幻影
艺术家:恩德
年代:c.975
风格:莫札拉布
类型:微型
这个插图只涉及启示录的第一节。它覆盖整个页面,没有框架或彩色地面。因此,它和十世纪的Beatus在stemma II中是不同的,尽管只是在这个方面,和一些stemma I手稿完全可能基于原始模型,其北非原型可以追溯到5世纪。这篇作品也不同于其他比多手稿,这些手稿表明主站在茎II,但在茎I,坐落在叶夹的中心两侧的天使。在蒸汽II中,云团环绕着他,但在蒸汽I中在他脚下。在他脚下是人们仰望并指着他,在蒸汽I中显示为一个紧凑的群组,在蒸汽II中对称地分割。在Gerona Beatus中,这些色彩缤纷、装饰性极强的云彩从对开本的顶部开始,从右到左向下延伸,覆盖着天使的身体,只留下可见的头和翅膀。基督在中间跪拜–位置用于飞行如一些天使显示全长飞去穿越天空在这个手稿的数字更显示。他向人群,如左手的手势,五个年轻的形象代表,代表了在地球的五个部落。
Title:The Apparition of Christ in the clouds
artist:Ende
Date:c.975
Style:Mozarabic
Genre:miniature
This illustration deals with just the first verse of the Revelation. It covers the entire page and has no frame or coloured ground. Hence it is different from the tenth-century Beatus in stemma II and similar, albeit only in this respect, to some stemma I manuscripts based in all likelihood on the original model, whose North-African prototype could date from the 5th century. The composition is also unlike that of the other Beatus manuscripts which show the Lord above standing in stemma II, but enthroned in stemma I and situated in the centre of the folio flanked by angels. In stemma II the clouds surround him but are at his feet in stemma I. Beneath him are people looking up and pointing at him, shown as a compact group in stemma I and divided symmetrically in stemma II. In the Gerona Beatus, these very colourful and decorative clouds begin at the top of the folio and extend downwards from right to left, coving the bodies of the angels leaving just their heads and wings visible. Christ is shown in the middle genuflecting – a position used more for figures in flight such as some of the angels shown full-length winging their way across the heavens in this manuscript. He addresses the crowds, as shown by the gesture of his left hand, who are represented by five beardless figures, who represent in turn the five tribes of the earth.
作品链接:https://www.mei-shu.com/famous/27440/artistic-123915.html
作品类别:油画
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