《开场白。犹太会堂：坐在野兽上的女人》恩德(Ende)高清作品欣赏

恩德(Ende)高清作品《开场白。犹太会堂：坐在野兽上的女人》

作品名：开场白。犹太会堂：坐在野兽上的女人

艺术家：恩德

年代：c.975

风格：莫札拉布

类型：微型

这张未加框的图片覆盖了整个对开本，展示了一个身穿红衣服的妇女，就像大多数比图斯手稿中一样，她右手高举着一个金色高脚杯，上面有三个红点，而左手则用尖嘴、三蹄和蛇尾握着一匹英国红马的缰绳。这位妇女留着长发、面纱和红蓝相间的衣服。她身后是一个苍白的布什，前面有一棵高大、装饰性很高的树，树干有一个树干，树冠上有一个由金叶和深色花朵环绕的红色圆圈。“Muliar”一词可以在左边的底部阅读。与其他比目鱼手稿相比，格罗那贝特兽上的女人的形象并没有因为先前提到的邪恶眼睛的恐惧或对代表所有憎恶之和的人发泄的愤怒而受到损害，从而证明了权力。在某些手稿的读者的图像。

Title:Prologue. On the Synagogue: the woman seated upon the beast

artist:Ende

Date:c.975

Style:Mozarabic

Genre:miniature

This unframed image covers the entire folio and shows a woman in reddish garments as in most Beatus codices holding a gold goblet with three red dots aloft in her right hand whilst her left hand grasps the reins of an English red equine with a pointed muzzle, cloven hoofs and a snake’s tail. The woman has long hair, a veil and reddish and blue garments. Behind her is a pale bush with a large, highly decorative tree in front with a stylised trunk and crown with a red circle surrounded by golden leaves and dark flowers. The word “mulier” can be read at the bottom on the left. In comparison with other Beatus manuscripts, the image of the woman upon the beast in the Gerona Beatus has suffered no damage as a result of the fear of the evil eye mentioned earlier or any anger unleashed against the one who represents the sum of all abominations, thereby demonstrating the power of images over the readers of certain manuscripts.