《牧羊人的朝拜》安德烈亚·曼特尼亚(Andrea Mantegna)高清作品欣赏

安德烈亚·曼特尼亚(Andrea Mantegna)高清作品《牧羊人的朝拜》

作品名：牧羊人的朝拜

艺术家：安德烈亚·曼特尼亚

年代：1456

风格：早期文艺复兴

类型：宗教绘画

介质：油画,彩画

标签：基督教，男性肖像，Holy Family

尺寸：40 x 55.6 cm

收藏：大都会艺术博物馆（MET），纽约市，纽约州，美国

曼特纳是意大利绘画的奇才之一，他十八岁就已经确立了自己的声誉。这幅画一定是他二十出头时画的，它已经充分展现了这位画家惊人的绘画天赋。虽然这幅画的主题是传统的，但曼特尼亚包含了一些细节，突出了艺术成就，也增强了对这些图形的表达性处理。他还采用了这一时期的虔诚文学策略，敦促读者从当代日常生活的角度去想象遥远的过去的圣经事件。因此，睡中约瑟夫的经典装束形象与两个牧羊人形成了对比，他们穿着破烂的当代服装，一个双手合十祈祷，另一个脱帽致敬，两人都要跪下。岩石般的前景与远处柔和的绿色平面形成鲜明对比，在弯曲的河岸上，可以看到一个牧羊人和一个拿着两桶等待驳船到达对岸的男人在迎接他；还有一个坐着纺纱和喂鸡的女人。惯性导航与制导。圣母全神贯注地献身，她的孩子大胆地缩短姿势躺在长袍的下摆上，他的头被基路伯围绕，他们的面貌被贝壳金所凸显。

Title:Adoration of the Shepherds

artist:Andrea Mantegna

Date:1456

Style:Early Renaissance

Genre:religious painting

Media:oil,tempera

Tag:Christianity,male-portraits,Holy-Family

Dimensions:40 x 55.6 cm

Location:Metropolitan Museum of Art (Met), New York City, NY, US

Mantegna, one of the prodigies of Italian painting, had already established his reputation by the age of eighteen. This work must have been painted when he was in his early twenties, and it already shows the painter's astonishing descriptive gifts fully developed.Although the subject of the picture is traditional, Mantegna has incorporated details that give prominence to artistic achievement and also enhance the expressive treatment of the figures. He also incorporates a strategy of devotional literature of the period that urges the reader to imagine the Biblical events of the distant past in terms of contemporary, everyday life. The classically garbed figure of the sleeping Joseph thus serves as a counterpoint to the two shepherds, who are shown in tattered, contemporary dress, one with hands joined prayerfully, the other having doffed his hat; both about to kneel. The rocky foreground contrasts with the gentle green plane in the distance where, on the banks of the curving river, can be seen a shepherd greeted by an angel and a man with two barrels waiting for the arrival of a barge on the opposite bank; also shown is a seated woman spinning and chickens feeding. The Virgin is shown in rapt devotion, with her child lying on the hem of her robe in an audaciously foreshortened pose, his head surrounded by cherubim, their features highlighted with shell gold.