《使徒彼得和安德鲁的召唤》杜乔·迪·博尼塞尼亚(Duccio)高清作品欣赏

杜乔·迪·博尼塞尼亚(Duccio)高清作品《使徒彼得和安德鲁的召唤》

作品名：使徒彼得和安德鲁的召唤

艺术家：杜乔·迪·博尼塞尼亚

年代：1308—1311

风格：原始文艺复兴

类型：宗教绘画

介质：木质,彩画

标签：基督教，圣徒和使徒，圣彼得

这是Duccio大教堂在锡耶纳大教堂的后面板之一。有超过五十个单独的场景，祭坛约十四英尺宽，高耸于山墙尖峰石阵约十七英尺以上的主祭坛。它于1311年6月在锡耶纳的一条大街上胜利地安装。牧师、市政府官员和市民们紧随其后的是妇女和儿童为钟声欢呼。商店关门了一整天，救济金给了穷人。在不到三年的时间里完成的，这是一个巨大的事业，杜库所收到的金佛罗林比任何一个艺术家都要多。然而，Duccio，像他那个时代的艺术家一样，被认为是一个工匠，经常被要求去画天花板的天花板、游行的盾牌等等。直到十四世纪中后期，艺术家的地位才上升。

Title:The Calling of the Apostles Peter and Andrew

artist:Duccio

Date:1308 - 1311

Style:Proto Renaissance

Genre:religious painting

Media:wood,tempera

Tag:Christianity,saints-and-apostles,St.-Peter

This was one of the rear panels of Duccio’s magnificent Maestà in Siena cathedral. With more than fifty individual scenes, the altarpiece was about fourteen feet wide and towered to gabled pinnacles some seventeen feet over the main altar. It was installed in June 1311 after a triumphant procession through the streets of Siena. Priests, city officials, and citizens were followed by women and children ringing bells for joy. Shops were closed all day and alms were given to the poor. Completed in less than three years, the Maestà was a huge undertaking for which Duccio received 3,000 gold florins—more than any artist had ever commanded. Nevertheless, Duccio, like all artists of his time, was regarded as a craftsman and was often called on to paint ceiling coffers, parade shields, and the like. Not until the middle and later fourteenth century did the status of artists rise.