乔托·迪·邦多内(Giotto)
艺术家: 乔托·迪·邦多内
生于: c.1266；意大利佛罗伦萨
卒于: 1337年1月08日；意大利佛罗伦萨
国籍: 意大利
流派: 原始文艺复兴
领域: 绘画,壁画,建筑学
受影响: Byzantine Art
影响: Proto Renaissance,琼斯·克里门特·奥罗兹柯,Cennino Cennini,保罗·高更,米开朗基罗,威廉·霍尔曼·亨特,安布罗吉奥·洛伦泽蒂,彼得罗·洛伦泽蒂
老师: Cimabue
被认为是意大利文艺复兴时期第一位艺术家之一，乔托·迪·邦多纳是一位有才华的画家和建筑师。他的作品不仅因其建筑风格和题材而闻名于世，而且他还受到同时代人的喜爱，其中包括意大利诗人Boccaccio和萨切蒂，以及阿利盖利·但丁，他在著名的《神曲》中提到了这位艺术家的名字。据说米彻朗噢还研究了佩鲁济教堂的壁画。他在传统的拜占庭风格的突破下，通过准确地借鉴生活中的绘画技巧而被人们铭记。他带着典型的拜占庭风格的细长脸和风格化的服装走开了，相反地，在实际观察的基础上，结合了三维的形式，并以真实的重量自然地挂起衣服。他打破传统，为他创造了一种新的具象绘画标准。他通过创造真实的面孔和真实的情感，积极地邀请观众进入现场。虽然他是意大利著名文艺复兴时期的画家，但他的生活却神秘莫测。他的出生日期、出生地、外貌、他创作作品的顺序以及埋葬地点都饱受争议。归功于他的许多作品实际上可能不是他的作品，这一事实让艺术史学家一直猜测着在他生前意大利的许多壁画。他的两件作品是佛罗伦萨大教堂的坎帕尼耶钟楼和帕多瓦竞技场教堂的壁画，这些作品肯定是他的作品。后者的壁画被认为是文艺复兴早期的最高杰作之一，因为它们结合了乔托的风格以及他对神圣圣经故事的解读。
Artist :Giotto
Additional Name :Giotto di Bondone
Born : Florence, Italy
Died : Florence, Italy
Nationality :Italian
Art Movement :Proto Renaissance
Field :painting,fresco,architecture
Influenced by :artists-by-art-movement/byzantine-art
Influenced on :artists-by-art-movement/proto-renaissance,jose-clemente-orozco,cennino-cennini,paul-gauguin,michelangelo,william-holman-hunt,ambrogio-lorenzetti,pietro-lorenzetti
Teachers :cimabue
Considered one of the first of the Italian Renaissance artists, Giotto di Bondone was a talented painter and architect. Not only are his works celebrated today for their architectural style and subject matter, but he was also renowned by his contemporaries, including the Italian poets Boccaccio and Sacchetti, and Dante Alighieri, who mentioned the artist by name in his famous book The Divine Comedy. Michelango is also said to have studied his frescoes in the Peruzzi Chapel.
Giotto is most remembered for his break with the traditional Byzantine style, and by introducing the technique of drawing accurately from life. He went away with the typical Byzantine style of elongated faces and stylized clothing, and instead incorporated three-dimensional forms, based on real observation, and garments hanging naturally with real weight. All of his breaks from tradition earned him the reputation of creating a new standard of representational painting. He actively invited the viewer into the scene by creating real human faces and real emotion.
Although he is a highly renowned Italian Renaissance painter, his life is surrounded in mystery. His date of birth, place of birth, appearance, the order in which he created his works, and his burial location are all clouded in controversy. Many of the works ascribed to him may not actually be his, a fact which keeps art historians guessing at many frescoes in Italy during the period in which he was alive. Two of his works, which are known for sure to be his, are the Campanille bell tower of the Florence Cathedral and the frescoes in the Arena Chapel in Padua. The latter frescoes are considered to be one of the supreme masterpieces of the Early Renaissance period, as they incorporate both Giotto’s style as well as his interpretation of sacred bible stories.
