《七宗罪和最后四件事》希罗尼穆斯·波希(Hieronymus Bosch)高清作品欣赏

希罗尼穆斯·波希(Hieronymus Bosch)高清作品《七宗罪和最后四件事》

作品名：七宗罪和最后四件事

艺术家：希罗尼穆斯·波希

年代：1485

风格：北欧文艺复兴

类型：宗教绘画

介质：油画,面板

标签：寓言和符号，基督教，罪孽和罪人

尺寸：150 x 120 cm

收藏：Museo del Prado，马德里，西班牙

不像他的许多作品，其中博世使用错综复杂的象征层级来表达他的意思，《七宗罪》和《最后四件事》字面上代表了罪恶、惩罚和上帝监视一切的眼睛。有趣的是，即使在他的最字面上，博世仍然能够包括大量的象征主义在他的描述每一个七个致命的罪恶。那些因贪婪罪被送入地狱的人被煮成金锅，在骄傲罪中，恶魔举起一面镜子，对着骄傲的女人。这一系列的绘画不仅仅描述了每一种罪及其惩罚，作为一个整体，它代表了对那些愿意从事罪恶活动的人的警告，并且起到了阻止罪恶行为的作用。

Title:The Seven Deadly Sins and the Four Last Things

artist:Hieronymus Bosch

Date:1485

Style:Northern Renaissance

Genre:religious painting

Media:oil,panel

Tag:allegories-and-symbols,Christianity,sins-and-sinners

Dimensions:150 x 120 cm

Location:Museo del Prado, Madrid, Spain

Unlike many of his works, in which Bosch used intricate levels of symbolism to represent his meaning, The Seven Deadly Sins and the Four Last Things literally represents the levels of sin, the punishments, and the eye of God watching over everything. Interestingly, even at his most literal, Bosch is still able to include a vast amount of symbolism into his descriptions of each of the seven deadly sins. Those sent to hell for the sin of greed are boiled in pots of gold, and in the sin of pride a demon holds a mirror up to a prideful woman. The series of paintings is much more than a description of each sin and its punishment, as a whole it represents a warning to those who would engage in sin, and acts as a deterrent to evil doing.