让·奥诺雷·弗拉戈纳尔(Jean-Honore Fragonard)
艺术家: 让·奥诺雷·弗拉戈纳尔
生于: 1732年4月05日；法国格拉斯
卒于: 1806年8月22日；法国巴黎
国籍: 法国
流派: 洛可可
领域: 绘画,绘画,蚀刻
机构: 美术学院，巴黎，法国
让·奥诺雷·弗拉戈纳尔是法国洛可可（Rococo）的画家和印刷商，也是安西安普政权最多产的画家之一。他很小的时候就表现出了非凡的艺术天赋，并被派到洛可可画家弗朗索瓦·鲍彻那里学习，他很快就信任他，可以画他的作品的复制品。20岁的时候，他凭借自己的画作《献给金牛犊的耶罗波安》获得了法国学院奖学金——罗马大奖赛。三年后，他搬到罗马的法国艺术学院学习，在那里他受到了浪漫的花园、寺庙、石窟、梯田和喷泉的影响。1765年，他画了《科里修斯与卡里霍》，这不仅确保了他在学院的地位，而且显示出他在亲密、温和的性爱场景方面的天赋，这些场景受到有钱的赞助人和路易十五淫秽宫廷成员的青睐。直到法国大革命剥夺了他的教友们的血统，他才广受欢迎，他们中的许多人被判了罪或被流放。1793年，他离开了巴黎，和朋友莫伯特住在一起。莫伯特的房子由装饰华丽的镶板装饰。回到巴黎后，他发现自己几乎完全被遗忘了，在法国大革命之后，他的性爱场面似乎无关紧要。他于1806去世，直到半个世纪后才有人写他或他的作品。他现在被认为是法国绘画大师之一。
Artist :Jean-Honore Fragonard
Additional Name :Jean-Honoré Nicolas Fragonard
Born : Grasse, France
Died : Paris, France
Nationality :French
Art Movement :Rococo
Field :painting,drawing,etching
Art institution :École des Beaux-Arts, Paris, France
Best known for his flourishly hedonistic scenes, Jean Honoré Fragonard was a French Rococo painter and print maker, who was one of the most prolific painters of the Ancién Regime. He showed a great talent for art at an early age, and was sent to study with the Rococo painter Francois Boucher, who soon trusted him enough to paint replicas of his works. By the time was 20 years old, he won the Prix de Rome, a scholarship to the French Academy, with his painting Jeroboan Sacrificing to the Golden Calf. Three years later, he moved to study at the French Academy of Art in Rome, where he was influenced by the romantic gardens, temples, grottos, terraces, and fountains.
In 1765, he painted Coresus et Callirhoe, which not only secured his position at the Academy, but showed his talent for intimate, mildly erotic scenes, which were favored by wealthy patrons and members of Louis XV’s lascivious court. He was wildly popular until the French Revolution deprived Fragonard of his patrons, many of whom were guillotined or exiled. Without patronage, he left Paris in 1793, living with his friend Maubert, whose house he decorated with a series of lavishly decorated panels.
Upon returning to Paris, he found that he was almost completely forgotten, his erotic scenes seemingly irrelevant after the upheaval of the French Revolution. He died in 1806, and little was written of him or his work until almost half a century later. He is now considered one of the masters of French painting.
