《母子》托马斯·苏利(Thomas Sully)高清作品欣赏

托马斯·苏利(Thomas Sully)高清作品《母子》

作品名：母子

艺术家：托马斯·苏利

年代：1840

风格：浪漫主义

类型：肖像

保姆是艺术家的女儿Jane Sully Darley（1807 - 1877）和她的儿子弗兰西斯托马斯Sulle达利（逝世1914）。简·萨利嫁给了威廉·亨利·W·达利，威廉·亨利·W·达利是费城著名的音乐老师，也是插画家F·O·C·达利的哥哥。她成为一名肖像画家，并在1825至1869年间在费城和其他艺术社团展出照片。她的儿子成了费城著名的风琴手。虽然这幅画像的年代是“1840”。根据Sulle的记录，1839年4月13日开始，12月31日结束。该寄存器还记录了一个较小的复制品绘画在1866。这篇文章可能与托马斯·劳伦斯爵士伯爵夫人和她的女儿（私人收藏）有关。它使用了全方位的象徵元素，例如萨尔宾斯-克拉特的再现。正如这里使用的，由赫尔墨斯带来的狄俄尼索斯的场景，由仙女抚养，用来强调母子之间的温柔亲密。同样，狗和依恋常青藤是忠诚的传统象征。

Title:Mother and Son

artist:Thomas Sully

Date:1840

Style:Romanticism

Genre:portrait

The sitters are the artist's daughter Jane Sully Darley (1807–1877) and her son Francis Thomas Sully Darley (died 1914). Jane Sully married William Henry W. Darley, a prominent music teacher in Philadelphia and older brother of the illustrator F. O. C. Darley. She became active as a portrait painter and exhibited pictures in Philadelphia and other art societies between 1825 and 1869. Her son became a well-known organist in Philadelphia. Although this portrait is dated "1840. Jan.," according to a register kept by Sully it was begun on April 13, 1839, and finished on December 31. The register also records the painting of a smaller replica in 1866. The composition may be linked to Sir Thomas Lawrence's Countess Grey and Her Daughters (private collection). It makes use of a full range of iconographic elements, such as the rendition of the Salpion Krater. As used here, its scene of Dionysos brought by Hermes to be nurtured by the nymphs serves to emphasize the tender closeness of mother and son. Similarly, the dog and clinging ivy are traditional symbols of loyalty.