《总诊所》托马斯·伊肯斯(Thomas Eakins)高清作品欣赏

托马斯·伊肯斯(Thomas Eakins)高清作品《总诊所》

作品名：总诊所

艺术家：托马斯·伊肯斯

年代：1875

风格：现实主义

类型：风俗画

材质：布面油彩

标签：团体肖像

尺寸：198.12 x 243.84 cm

收藏：费城美术馆，费城，PA，美国

塞缪尔·D·格罗斯博士是一名七十岁的教授，身穿黑色礼服，为一群杰斐逊医学院的学生讲课。其中包括艾金斯的自画像，他坐在隧道栏杆右边，素描或写作。在Gross医生的右肩上看到的是诊所的工作人员，Franklin West博士，对手术做笔记。伊金斯的签名被画在外科手术台前面的画上。由于不妥协的现实主义而受到赞誉，粗略诊所在记录医学史上占有重要地位，因为它尊重外科作为治疗职业的出现（以前，外科手术是因为它主要与截肢有关，因为它向我们展示了手术剧院在十九世纪的样子。这幅画是根据艾金斯亲眼目睹的一个手术，其中Grand治疗了一个年轻人的骨髓炎的股骨。Gross在这里被画成进行保守手术而不是截肢（这是病人在之前几十年中通常的治疗方式）。

Title:The 总诊所

artist:Thomas Eakins

Date:1875

Style:Realism

Genre:genre painting

Media:oil,canvas

Tag:group-portraits

Dimensions:198.12 x 243.84 cm

Location:Philadelphia Museum of Art, Philadelphia, PA, US

Dr. Samuel D. Gross, a seventy-year-old professor dressed in a black frock coat, lectures a group of Jefferson Medical College students. Included among the group is a self-portrait of Eakins, who is seated to the right of the tunnel railing, sketching or writing. Seen over Dr. Gross's right shoulder is the clinic clerk, Dr. Franklin West, taking notes on the operation. Eakins's signature is painted into the painting, on the front of the surgical table.Admired for its uncompromising realism, The 总诊所 has an important place documenting the history of medicine—both because it honors the emergence of surgery as a healing profession (previously, surgery was associated primarily with amputation), and because it shows us what the surgical theater looked like in the nineteenth century. The painting is based on a surgery witnessed by Eakins, in which Gross treated a young man for osteomyelitis of the femur. Gross is pictured here performing a conservative operation as opposed to an amputation (which is how the patient would normally have been treated in previous decades).