《教皇利奥十世（拉斐尔之后）》费尔南多·博特罗(Fernando Botero)高清作品欣赏

费尔南多·博特罗(Fernando Botero)高清作品《教皇利奥十世（拉斐尔之后）》

作品名：教皇利奥十世（拉斐尔之后）

艺术家：费尔南多·博特罗

年代：1964

风格：素人艺术（原始主义）

类型：肖像

标签：名人画像

这幅画是1964制作的，而Botero仍在试验即将成为他的签名风格的作品。它被称作boterismo，其特点是高度程式化的体积图形和物体、表面的平坦度和调色板的简化。和这幅画一样，博特罗经常根据老大师们的艺术史上的名作——拉斐尔、达芬奇、贝拉斯克斯、英格丽丝、德加等来画肖像。这种艺术引证在后现代主义时代非常常见。他在这幅画中所使用的风格，在艺术风格的基础上很容易被描述为天真或原始，但事实上，他的作品的概念更后现代而不是天真。这位艺术家运用了前哥伦布时期的艺术遗产以及西方绘画的传统，创造了复杂的风格混合体。同时，讽刺和漫画的简单性也是他艺术风格的一部分，他通过讽刺和漫画来评论他所生活的社会。

Title:Pope Leo X (after Raphael)

artist:Fernando Botero

Date:1964

Style:Naïve Art (Primitivism)

Genre:portrait

Tag:male-portraits,famous-people

This painting was made in 1964, while Botero was still experimenting with what was soon to become his signature style. Called boterismo, it is characterized by highly stylized volumetric figures and objects, the flatness of surface and simplification of the color palette. As in this painting, Botero often painted portraits after famous works from an art history made by Old Masters - Raphael, Da Vinci, Velazquez, Ingres, Degas, etc. This type of artistic citation is quite common to the era of postmodernism. The style he uses in this painting could be easily characterized as naive or primitive on the basis of artistic manner, but in fact, the concept of his artworks is more postmodern then naive. The artist uses the legacy of pre-Columbian art as well as the tradition of Western painting, and creates a complex mixture of styles. Also, the irony and caricature simplicity are often part of his artistic manner, by which he gives a critical comment on the society he lives in.