《非洲丹吉尔的耍蛇人》蒂凡尼(Louis Comfort Tiffany)高清作品欣赏

蒂凡尼(Louis Comfort Tiffany)高清作品《非洲丹吉尔的耍蛇人》

作品名：非洲丹吉尔的耍蛇人

艺术家：蒂凡尼

年代：1872

风格：后印象派

类型：风俗画

这幅画于1872年首次在纽约斯奈德科尔美术馆展出，突出了1860年代末和1870年代初欧美流行的异国题材。这幅作品与让·莱昂·格雷姆的《蛇魅》（马萨诸塞州威廉斯敦斯特林和弗朗辛·克拉克艺术学院）非常相似。通过广泛的旅行，蒂凡妮精通伊斯兰艺术和建筑传统。建筑元素，如宽阔的白色柱子和屋顶线，将在随后的几十年里重新出现在他协助设计的室内和建筑中，包括第72街的蒂凡尼住宅（1885年）、麦迪逊大道和劳雷顿庄园（1902-5年），他的长岛乡村庄园。这幅画表现了蒂凡尼对色彩和光线的浓厚兴趣，并展示了一个有趣的场景——一个耍蛇人在北非向聚集的人群玩耍。这幅画在费城的1876年百年展上展出，保留在蒂凡尼的个人收藏中，后来挂在劳雷顿大厅，直到1921年才捐赠给大都会。

Title:Snake Charmer at Tangier, Africa

artist:Louis Comfort Tiffany

Date:1872

Style:Post-Impressionism

Genre:genre painting

First exhibited at Snedecor's Gallery in New York in 1872, this painting highlights exotic subject matter popular during the late 1860s and early 1870s in both Europe and America. The composition closely resembles Jean-Léon Gér?me's The Snake Charmer (Sterling and Francine Clark Art Institute, Williamstown, Massachusetts). Through his extensive travels, Tiffany became versed in Islamic art and architectural traditions. Architectural elements such as the broad white columns and the roofline would reappear in subsequent decades in interiors and buildings he helped design, including the Tiffany house (1885) at 72nd Street and Madison Avenue and Laurelton Hall (1902–5), his Long Island country estate. The painting illustrates Tiffany's great interest in color and light, and shows a scene of intrigue—a snake charmer playing to a gathered crowd in North Africa. Exhibited at the 1876 Centennial Exhibition in Philadelphia, the painting remained in Tiffany's personal collection and later hung at Laurelton Hall until 1921, when it was donated to the Metropolitan.