《海草和蓝色海》米尔顿·埃弗里(Milton Avery)高清作品欣赏

米尔顿·埃弗里(Milton Avery)高清作品《海草和蓝色海》

作品名：海草和蓝色海

艺术家：米尔顿·埃弗里

年代：1958

风格：表现主义

类型：玛丽娜

材质：布面油彩

收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国

埃弗里在他的整个职业生涯中都描绘了大自然的景色，但是他更喜欢简单的形式而不是现实的细节，而且他的调色板非常个人化。结果接近抽象。在《海草》和《蓝海》（基于艾弗里对马萨诸塞州普罗芬顿市的回忆）中，天空是画上边缘一条笔直而狭窄的蓝带。画布的其余部分被分成两个几乎相等大小和形状的梯形。海草的底部是浅色的，有淡淡的条纹，与天空的色调相呼应；上面是一块以深蓝色为主的楔形，上面有浅蓝色和深黑色的斑点。神奇的是，整体效果是白色泡沫的波浪。黑色是矛盾的：正如马蒂斯在他自己的一幅画中提到的黑色一样，它被用作“光的颜色而不是黑暗的颜色”。“在很多方面，事实上，埃弗里比亨利·马蒂斯更接近亨利·马蒂斯。在他有生之年在美国盛行的e风格——比如，他热爱明晰的形式和平坦的颜色，以及贯穿他的艺术的丰富宁静感。

Title:Sea Grasses and Blue Sea

artist:Milton Avery

Date:1958

Style:Expressionism

Genre:marina

Media:oil,canvas

Location:Museum of Modern Art (MoMA), New York City, NY, US

Avery painted scenes of nature throughout his career, but he preferred simple forms to realistic details, and his palette is distinctively personal. The results come close to abstraction. In Sea Grasses and Blue Sea (based on Avery's memories of Provincetown, Massachusetts), the sky is a straight and narrow blue band at the painting's upper rim. The rest of the canvas is divided into two trapezoids of almost equal size and shape. The lower of these, the sea grass, is pale and lightly streaked, and echoes the tonality of the sky; above it is a wedge of a predominantly darker, saturated blue, with patches both of a lighter blue and, more sharply, of deep black. Magically, the overall effect is of waves flecked with white foam.That black is paradoxical: as Matisse remarked of the black in one of his own paintings, it is used as "a color of light and not as a color of darkness." In various ways, in fact, Avery is closer to Henri Matisse than to the styles that prevailed in America during his lifetime-in his love of clarified form and flat color, for example, and in the sense of rich serenity that permeates his art.