《动物的命运》弗朗茨·马克(Franz Marc)高清作品欣赏

弗朗茨·马克(Franz Marc)高清作品《动物的命运》

作品名：动物的命运

原名：蒂尔希克销售

艺术家：弗朗茨·马克

年代：1913；德国

风格：表现主义,抽象表现主义

类型：动物画,抽象

材质：布面油彩

尺寸：194.3 x 261.6 cm

收藏：美术馆巴塞尔，瑞士

这部作品还具有启示和末日意识的特征，这在当时开始玷污马克的作品，可能与他对即将到来的战争的感情有关。在1915年写给妻子玛丽亚的一封信中，马克解释说，之所以出现这种艺术上的变化，是因为他开始看到动物身上的丑陋，他以前以为这些丑陋只存在于人类身上。他说他再也看不见动物曾经代表过他的美丽。动物图案一旦传递了情感，就不再具有吸引力和可能性。绘画的应用以及通过线条和几何形状对画像平面的划分，现在承载着动物以前所传达的情感电荷。这种变化可能与贾景晖关于即将发生的战争的思想有关。在理解第一次世界大战时，马克是该学派的一员，认为战争将净化和救赎宇宙中所有的坏事。马尔克不再把动物视为自己完美王国中的独立实体，就像他曾经代表过的那样。当马克开始辨认动物身上的丑陋时，他认出它们是宇宙的一部分，人类也居住在宇宙中，需要救赎。

Title:Fate of the Animals

Original Title:Tierschicksale

artist:Franz Marc

Date:1913; Germany

Style:Expressionism,Abstract Expressionism

Genre:animal painting, abstract

Media:oil,canvas

Dimensions:194.3 x 261.6 cm

Location:Kunstmuseum Basel, Basel, Switzerland

This work is also characteristic of the sense of apocalypse and doom which began to taint Marc's work at this time and could be related to his feelings on the impending war. In a 1915 letter to his wife Maria, Marc explains that this change in his art occurred because he began to see the ugliness in animals which he had previously thought only existed in humans. He states that he was no longer able to see the beauty which animals had once represented for him. The animal motifs which once conveyed a sense of emotion no longer held their appeal and possibility. The application of paint and the division of the picture plane through the use of lines and geometric shapes now carried the emotional charge previously conveyed by animals. This change may be related to Marc's ideas on the impending war. In apprehension of the First World War, Marc was part of the school of thought that the war would purify and redeem the universe of all that was bad. Marc no longer saw animals as separate entities in their own perfect kingdom, as he had once represented them. At the point when Marc began to identify the ugliness in animals, he recognized them as part of the universe which man also inhabited and which was in need of redemption.