瓦西里哈萨尔(Vasile Kazar)
艺术家: 瓦西里哈萨尔
生于: 1913年7月30日；罗马尼亚，西雅图
卒于: 1998年3月21日；1998三月二十一日
国籍: 以色列,罗马尼亚
流派: 表现主义
领域: 插图,图像
Vasile Kazar是一位绘画艺术家、绘图员和插图画家。他出生于一个由希伯来知识分子组成的富裕家庭，这使他在高中毕业后能够在家乡布达佩斯的拜亚马雷和巴黎的格兰德·肖米·安培学院继续深造。20世纪30年代初，他为诸如《圣安普》和《自由杯》等左翼杂志提供插图，开始了他的职业生涯。1932年，他在克鲁伊举办了一次个人展览，1937年，他在奥拉迪亚出版了专辑《玉米面包》，其中包括12幅马拉穆雷农民生活的画作，这些画作非常详细，显示了布鲁盖尔一世和日本版画的影响。明年将展出巴黎当代艺术画廊。在1944，他被驱逐到纳粹集中营，在那里他失去了父母。大屠杀幸存者，从1950年到1976年，他是一名讲师，后来在布加勒斯特的尼古拉·格里格里奇斯库平面艺术系任教授。
瓦西尔·卡扎尔给自己的作品带来了一个关于戏剧性命运最真实的见证。从20世纪40年代末到1958年，他试图遵循社会主义现实主义的美学和思想观念，但在60年代初，他又回到了他1945-7年的作品的表现主义风格，创作的绘画在粗犷的线条和生平中显示出梦幻般的触感。变形意象他在20世纪70年代和80年代发展了这样的风格，在旧的法庭和我的野兽的系列画。他随后发展了一种非常微妙的色彩运用，变得更加严酷。他身后留下了一份有价值的作品，其中包括插图的循环，比如那些“杜因挽歌”。雷纳·玛丽亚·里尔克的《奥菲斯的十四行诗》、《旧宫廷国王》和《马太·卡拉吉莱尔》和《卡塔卢斯的诗》，数百幅绘画作品是世界各地私人美术馆和收藏的骄傲。1992，哈萨尔在布加勒斯特美术馆捐赠了103幅画、7幅版画和6幅素描书。他留下的遗产是18世纪的一个房子里的一个小博物馆，里面有古董和纺织品。
Artist :Vasile Kazar
Additional Name :Vasile Kazar
Born : Sighet, Romania
Died :21 March 1998
Nationality :Jewish,Romanian
Art Movement :Expressionism
Field :illustration,graphics
Vasile Kazar was a graphic artist, draughtsman, and illustrator. He was born into a wealthy family of Hebrew intellectuals, which allowed him after graduating high school in his hometown to continue his studies in Baia Mare, Budapest, and at the Academie Grande Chaumière in Paris. He began his career by providing illustrations in the early 1930s for such left-wing magazines as Stânga and Cuvântul liber. In 1932 he had a one-man exhibition in Cluj, and in 1937 he published in Oradea the album Pita de mălai (Corn bread), which includes 12 drawings of the peasant life of Maramureş; these were dramatically detailed, showing the influences of Pieter Bruegel I and of Japanese prints - works that will be exhibited next year to the Contemporary Art Galleries in Paris. In 1944, he was deported to a Nazi concentration camps where he lose parents. Holocaust survivor, from 1950 until 1976 he was a lecturer, then professor at the Department of Graphic Arts of the Institute "Nicolae Grigorescu" in Bucharest.
Vasile Kazar brings to his work one of the most authentic testimony about a dramatic destiny assumed lucidly. From the late 1940s until c. 1958 he tried to conform to the aesthetic and ideological precepts of Socialist Realism, but in the early 1960s he reverted to the expressionism that had characterized his work of 1945-7, producing drawings that displayed a dreamlike touch in their scratchy line and biomorph imagery. He developed this style in the 1970s and 1980s in such series of drawings as Apparitions at the Old Court and From my Bestiary. He subsequently evolved a very subtle use of color, which became much harsher. He leaved behind a valuable work that includes cycles of illustrations, such as those for "Duin elegies. Sonnets to Orpheus" by Reiner Maria Rilke, "The Old Court Kings" by Mateiu Caragiale or for the poems of Catullus, hundreds of drawings which are the pride of private galleries and collections around the world. In 1992 Kazar donated 103 drawings, 7 prints and 6 sketchbooks to the Museum of Art in Bucharest. He left by legacy a small museum in a house of the eighteenth century, with antiques and textiles, in Vadu Izei, Maramureş, which became today a Memorial Museum.
