卢西安·弗洛伊德(Lucian Freud)高清作品《红发男人坐在椅子上》
作品名:红发男人坐在椅子上
艺术家:卢西安·弗洛伊德
年代:1962—1963
风格:表现主义
类型:风俗画
材质:布面油彩
标签:男性的肖像
尺寸:91.5 x 91.5 cm
这是佛洛伊德成熟风格最早的例子之一。非传统姿态是佛洛伊德的特长之一。主题是传统的,但在传统的西方肖像画中,姿势是很少的,如果有的话。主题是Tim Behrens,他是斯莱德艺术学院的朋友和学生,佛洛伊德是一位客座教师。该作品的通用标题,没有给出具体的坐席或设置暗示,反映了始终如一的,临床超然与弗洛伊德接触所有对象,无论他们与他有什么关系。《坐在椅子上的红发男人》(1962)描绘了贝伦斯,他双膝盖紧贴着身子,穿着灰色西装,棕色的鞋子搁在一张看起来向我们倾斜的椅子上。他身后的木桩和废弃的木桩表明环境是画室。在弗洛伊德职业生涯的这个阶段,他从黑貂色刷子过渡到猪毛刷,这既允许更大的控制,又允许他在这里看到的那种极度冲动的风格中运用宽笔划的能力。
Title:Red Haired Man on a Chair
artist:Lucian Freud
Date:1962 - 1963
Style:Expressionism
Genre:genre painting
Media:oil,canvas
Tag:male-portraits
Dimensions:91.5 x 91.5 cm
This is one of the earliest examples of Freud's mature style. Unconventional poses were one of Freud's specialties. The subject matter is conventional, but the pose is one rarely, if ever, seen in traditional Western portraiture. The subject is Tim Behrens, a friend and student at Slade School of Art, where Freud was a visiting teacher. The work's generic title, giving no hint of the specifics of the sitter or the setting, reflects the consistent, clinical detachment with which Freud approached all subjects, no matter what their relationship to him. Red Haired Man on a Chair (1962) depicts Behrens perched with his knees tucked under him, dressed in a gray suit, and with his brown shoes resting on a chair that appears to tilt toward us. The wooden post and discarded pile of cloths behind him indicate that the environment is the painting studio. At this point in his career, Freud made a transition from sable to hog-hair brushes which allowed both greater control and an ability to apply broad strokes in the heavily impastoed style one sees here.
作品名称:《红发男人坐在椅子上》卢西安·弗洛伊德(Lucian Freud)高清作品欣赏
作品链接:https://www.mei-shu.com/famous/26391/artistic-72900.html
作品类别:油画
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