《安特卫普附近的风景》乔治·布拉克(Georges Braque)高清作品欣赏

乔治·布拉克(Georges Braque)高清作品《安特卫普附近的风景》

作品名：安特卫普附近的风景

原名：安特卫普附近的景色

艺术家：乔治·布拉克

年代：1906

风格：野兽主义

类型：景观

材质：布面油彩

标签：河流、瀑布、悬崖和岩石

收藏：所罗门古根海姆博物馆，纽约市，纽约，美国

这幅画是布拉克的浮夸风格的代表作。1906年3月，他首次在独立沙龙展出了他早期的野兽派作品，其中许多后来在一阵不确定中毁灭了。同年六月，布拉克和一位画家朋友前往安特卫普。安特卫普港是欧洲最大的港口之一，与他的家乡勒阿弗尔相似。因此，布莱克感到很舒服，在那儿的时候可以留下来画画，一直觉得自己好像置身于新地方。布莱克深受保罗·塞尚的影响，他最有可能以塞尚最常用的手法描绘安特卫普附近的风景，同时又进行绘画和绘画。因此，这幅画没有初步绘制；它是在现场绘制的。

Title:Landscape near Antwerp

Original Title:Paysage près d'Anvers

artist:Georges Braque

Date:1906

Style:Fauvism

Genre:landscape

Media:oil,canvas

Tag:rivers-and-waterfalls,cliffs-and-rocks

Location:Solomon R. Guggenheim Museum, New York City, NY, US

This painting is representative of Braque’s fauvist style. He first exhibited his early fauvist works at the Salon des Indepedants in March of 1906, many of which he later destroyed in a fit of uncertainty. In June of the same year, Braque and a painter friend traveled to Antwerp. The port of Antwerp, one of the biggest ports in Europe, was similar to his home town of Le Havre. Braque thus felt comfortable enough to stay and paint during his time there, all the while still feeling as if he were somewhere new. Heavily influenced by Paul Cezanne, Braque most likely painted Landscape near Antwerp in the technique that Cezanne used most, painting and drawing at the same time. As such, there is no preliminary drawing for this painting; it was painted on the spot.