《1932（绘画）》本·尼科尔森(Ben Nicholson)高清作品欣赏

本·尼科尔森(Ben Nicholson)高清作品《1932（绘画）》

作品名：1932（绘画）

艺术家：本·尼科尔森

年代：1932

风格：抽象主义

类型：抽象

介质：石墨,油画,板

收藏：泰特现代，伦敦，英国

1932尼克尔森访问了巴黎，看到了琼·米尔、亚历山大·考尔德和Hans Arp的作品。他形容他们对他的影响是“一种新的自由…”一种解放。切线在这幅画的表面上舞蹈。线条流畅、有趣，基本上不具有描述性（尽管身体的轮廓也许可以读入这幅画）。尼克尔森在这里被用来传达绘画作为实物的地位。尼科尔森抛弃了表象的需要，他的目标是“使事物生动，通过将观念与物理对象结合来创造新生活”。

Title:1932 (painting)

artist:Ben Nicholson

Date:1932

Style:Abstract Art

Genre:abstract

Media:graphite,oil,board

Location:Tate Modern, London, UK

In 1932 Nicholson visited Paris and saw work by Joan Miró, Alexander Calder and Hans Arp. He described their effect on him as ‘a new freedom ... a kind of liberation’. Incised lines dance into and along the surface of this painting. The lines are fluid, playful and largely non-descriptive (although outlines of bodies can perhaps be read into this painting). Nicholson is occupied here with conveying the painting’s status as a physical object. In discarding the need for representation, Nicholson’s aim was ‘to animate a thing, to create new life by marrying idea to a physical object’.