斯坦利·平克(Stanley Pinker)高清作品:Construction. The Hyperboreans

斯坦利·平克(Stanley Pinker)高清作品《Construction. The Hyperboreans》

作品名：Construction. The Hyperboreans

艺术家：斯坦利·平克

风格：达达艺术,波普艺术

类型：装置

《极地北方人》的题目是在我进行戏剧创作之后。它是关于并列和矛盾、南北、贫富、交往和态度的。前台拱顶上的附件主要是我在海滩或其他地方发现的物体。在一个白色盘子上的中心，是一个重新配置的心脏基金会标志（一个红色的刀，叉和心脏），它穿插着巧克力和蛋糕，上面有樱桃，即将食用，对消费者的健康构成威胁。左边是一个橙色的塑料玻璃，上面我画了白色和蓝色的条纹——回忆起古老的南非国旗的颜色，并附上两个粉色和白色的粉刷，就像稻草一样。右边是一个锥形物体，带着非洲-黄色、绿色和黑色的颜色带，顶端部分是由非洲拜物教对象启发的，但也可以被看作仪式性的。蝴蝶飞向这个建筑。在下面，舞台后面的舞台呈直角的形式，以异想天开的方式被推到角落里。中心舞台，在剧场设置和底座上，是一片西瓜，由树干的一部分制成。与上面的糖果相比，这是一个稀疏而诚实的产品。舞台的背景是由一个图案化的地毯，这是由一个妇女团体在Khayelitsha。环绕非洲的“非洲”和“埃塞俄比亚”字样定位在南部，但也可作为装饰装置。所以南方的人几乎被关在外面，你有一种感觉：“哈，哈，让他们继续下去吧，他们就在那里，活着。”眼不见，心不烦。

Title:Construction. The Hyperboreans

artist:Stanley Pinker

Style:Dada,Pop Art

Genre:installation

The title Hyperboreans, people of the extreme 'North' came after I made this theatrical construction. It is about juxtapositions and contradictions, the north and the south, the rich and the poor, and associations and attitudes. The attachments on top of the proscenium arch are mostly objects I found on beach or elsewhere. At the centre, on a white plate, is a reconfigured Heart Foundation symbol (a red knife, fork and heart) and it is interspersed with chocolates and cakes with a cherry on top, about to be consumed, at risk to the health of the consumer. To the left is an orange plastic glass on which I have painted white and blue bands - recalling the colours of the old South African flag - and attached two dowels painted pink and white to resemble straws. On the right is a cone-shaped object with bands of the colours of Africa - yellow, green and black - and the top section was inspired by African fetishist objects but can also be seen as ritualistic. A butterfly, flies towards this construction. Below, the stage behind the faзade takes the form of a right angle, and in a whimsical way it can be pushed into a corner. Centre stage, in a theatrical setting and on a pedestal, is a slice of watermelon, made from a segment of a tree trunk. It is a sparse and honest offering, in contrast to the confectionery, above. The backdrop to the stage is based on a patterned carpet that was made by a women's group in Khayelitsha. The lettering of 'Africa' and 'Ethiopia' on the surround locates the situation as down south but also serves as a decorative device. So the people in the South are almost shut out, and you have the feeling of 'ha, ha, let them get on with it, they are down there somewhere, living. Out of sight and mind.