《城市崛起》翁贝托·薄邱尼(Umberto Boccioni)高清作品欣赏

翁贝托·薄邱尼(Umberto Boccioni)高清作品《城市崛起》

作品名：城市崛起

艺术家：翁贝托·薄邱尼

年代：1910、意大利米兰

风格：分色主义,未来主义

类型：城市风貌

材质：布面油彩

标签：房屋建筑

尺寸：200 x 301 cm

收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国

许多人认为城市的兴起是最早的真正的未来主义绘画。Boccioni花了一年时间完成它，它在欧洲展出后不久就完成了。它证明了新印象主义和象征主义甚至在1909年未来主义开创之后仍然保持在运动艺术家身上的观点。直到1911左右，Boccioni才适应立体主义的元素，创造出一种独特的未来主义风格。然而，城市崛起确实抓住了群体对活力的热爱以及他们对现代城市的喜爱。一匹大马跑进前台，几个工人奋力控制它，这暗示了人类和野兽之间的原始冲突。马和人物是模糊的，传达快速移动，而其他元素，如背景的建筑，被渲染得更加逼真。同时，透视在绘画的不同部分戏剧性地进行。

Title:The City Rises

artist:Umberto Boccioni

Date:1910; Milan, Italy

Style:Divisionism,Futurism

Genre:cityscape

Media:oil,canvas

Tag:houses-and-buildings

Dimensions:200 x 301 cm

Location:Museum of Modern Art (MoMA), New York City, NY, US

The City Rises is considered by many to be the very first truly Futurist painting. Boccioni took a year to complete it and it was exhibited throughout Europe shortly after it was finished. It testifies to the hold that Neo-Impressionism and Symbolism maintained on the movement's artists even after Futurism was inaugurated in 1909. It was not until around 1911 that Boccioni adapted elements of Cubism to create a distinct Futurist style. Nevertheless, The City Rises does capture the group's love of dynamism and their fondness for the modern city. A large horse races into the foreground while several workers struggle to gain control of it, suggesting a primeval conflict between humanity and beasts. The horse and figures are blurred, communicating rapid movement while other elements, such as the buildings in the background, are rendered more realistically. At the same time, the perspective teeters dramatically in different sections of the painting.