《布鲁克林大桥》约瑟夫·斯特拉(Joseph Stella)高清作品欣赏

约瑟夫·斯特拉(Joseph Stella)高清作品《布鲁克林大桥》

作品名：布鲁克林大桥

艺术家：约瑟夫·斯特拉

年代：1920

风格：未来主义

类型：城市风貌

在布鲁克林大桥上，斯特拉发现了一个令他印象深刻的主题，他说：“作为包含美国新文明所有努力的神龛。”这个现代建筑图标的深层意义。斯特拉拍摄了各种各样的构件，如迷宫般的电线和电缆、花岗岩码头和哥特式拱门、人行道和地铁隧道、令人激动的曼哈顿摩天大楼，作为线条、形式和色彩的抽象图案，让人联想到这座桥。忠实地描述它。然而，正如一位评论家所观察到的，斯特拉的解释似乎“比桥的字面转录更真实，更真实。”一个“字面转录”只能代表它的外表，它给斯特拉的视网膜留下的印象。未来派的再现也可以解释更多的主观印象，身体和心理的感觉，它产生的艺术家。

Title:Brooklyn Bridge

artist:Joseph Stella

Date:1920

Style:Futurism

Genre:cityscape

In the Brooklyn Bridge, Stella found a subject that impressed him, he said, “as the shrine containing all the efforts of the new civilization of America.” Brooklyn Bridge, his signature image, addressed the two aesthetic currents of his time —representation and abstraction —to suggest the deeper significance of this modern architectural icon. Stella photographed its various components —the maze of wires and cables, the granite piers and Gothic arches, the pedestrian walkway and subway tunnels, the thrilling prospect of Manhattan skyscrapers — as an abstract pattern of line, form, and color that evokes an idea of the bridge rather than faithfully describing it. Yet, as one critic observed, Stella’s interpretation seemed “more real, more true than a literal transcription of the bridge could be.” A “literal transcription” would have represented only its appearance, the impression it left upon Stella’s retina. A Futurist rendition could also account for more subjective impressions, the physical and psychological sensations it produced on the artist.