《伊西多尔杜卡斯的谜》曼·雷(Man Ray)高清作品欣赏

曼·雷(Man Ray)高清作品《伊西多尔杜卡斯的谜》

作品名：伊西多尔杜卡斯的谜

艺术家：曼·雷

年代：1920

风格：达达艺术

类型：雕塑

介质：成品

收藏：澳大利亚国家美术馆（NGA），堪培拉，澳大利亚

在曼.雷离开法国前的一年，这个早期的辅助装备（一个被发现的物体稍微改变了）。马塞尔·杜尚的影响和帮助在这个达达对象中是显而易见的，在这个达达对象中，缝纫机用军毯包裹，用绳子捆扎。标题来自法国诗人Isidore Ducasse（1846-70），这个意象来自于他在《Les Chants de Maldoror》（1869）一书中的一句名言：“美得如同在解剖台上偶然相遇缝纫机和一把伞。”机会效应对于达达艺术家来说很重要，这幅作品非常符合这种精神，但它也预示了超现实主义者对揭示无意识的创造力的兴趣。在拍摄照片后，创建原始物体，然后拆除。雷没有透露毛毡下的“谜团”，并打算将照片作为谜语让观众解答，标题提供了线索。

Title:The Enigma of Isidore Ducasse

artist:Man Ray

Date:1920

Style:Dada

Genre:sculpture

Media:ready-made

Location:National Gallery of Australia (NGA), Canberra, Australia

This early, assisted readymade (a found object slightly altered) was created a year before Man Ray left for France. Marcel Duchamp's influence and assistance are evident in this Dada object, in which a sewing machine is wrapped in an army blanket, and tied with a string. The title comes from French poet Isidore Ducasse (1846-70) and the imagery comes from a quote in his book Les Chants de Maldoror (1869): 'Beautiful as the chance meeting, on a dissecting table, of a sewing machine and an umbrella'. Chance effects were important to the Dada artists, and the piece is very much in that spirit, but it also prefigures the Surrealists' interest in revealing the creative power of the unconscious. The original object was created and then dismantled after the photograph was taken. Ray did not reveal the 'enigma' under the felt and intended the photograph as a riddle for the viewers to solve with the title providing a hint.