罗伯特·亨利简介

罗伯特·亨利(Robert Henri)

艺术家: 罗伯特·亨利

生于: 1865年6月24日；辛辛那提，俄亥俄，美国

卒于: 1929年7月12日；纽约市，纽约，美国

国籍: 美国

流派: 新现实主义（美国现实主义）

领域: 绘画

影响: 爱德华·霍珀

朋友: John French Sloan,乔治·卢克斯,威廉·詹姆斯·格莱肯斯

机构: 帕森斯设计学院（蔡斯学校，纽约艺术学院），纽约，NY，美国

罗伯特·赫尼既是艺术家，又是伟大的老师，如爱德华·霍珀、乔治·波洛斯、洛克韦尔·肯特和斯图尔特·戴维斯。19世纪90年代，他在菲利德尔菲亚时遇到了四位菲利德尔菲亚出版社的插画家：乔治·卢克斯、埃弗里特·辛、约翰·弗朗西斯·斯隆和威廉·格莱肯斯，俗称“菲利德尔菲亚四人”。i'的公寓里讨论艺术、哲学、文化等等，他们的会议被称作“木炭俱乐部”，因为木炭俱乐部也画出了生活的素描。几年来，他在菲尔德菲亚和巴黎之间分道扬镳，自发地描绘生活，最终激发他成熟的风格。菲利德尔菲亚四世原本可以快速地描绘现实场景，因此他受到了这些场景的影响。在巴黎，他遇到了加拿大艺术家詹姆斯·威尔逊·莫里斯，詹姆斯·威尔逊·莫里斯向他介绍了一种在可以放在口袋里的小木板上快速绘画的技术。与一个小艺术家和39；S工具包。这使亨利有机会在旅途中实践他的风格，到1895年，他完全重新考虑了印象主义，称之为“新学院主义”。

Artist :Robert Henri

Additional Name :Robert Henry Cozad

Born : Cincinnati, Ohio, United States

Died : New York City, New York, United States

Nationality :American

Art Movement :New Realism (American Realism)

Influenced on :edward-hopper

Friends and Co-workers :john-french-sloan,george-luks,william-james-glackens

Art institution :Parsons School of Design (Chase School, New York School of Art), New York City, NY, US

Robert Herni was both as an artist in his own right and a teacher of greats such as Edward Hopper, George Bellows, Rockwell Kent and Stuart Davis. He started to gain a following in the 1890s, during his time in Philidelphia, where he met four illustrators for the Philidelphia Press: George Luks, Everitt Shinn, John French Sloan and William Glackens, colloquially known as the "Philidelphia Four." These men would meet at Henri's apartment to discuss art, philosophy, culture and more, their meetings became known as the Charcoal Club because the also did drawings from life. Over several years, he split his time between Philidelphia and Paris and was exposed to spontaneous depictions of life that would ultimately inspire his mature style. The Philidelphia Four would have been used to depicting real-life scenes quickly so he gained influence from them and while in Paris he met Canadian artist, James Wilson Morrice, who introduced him to a technique of painting quickly on small boards of wood that could be stored in the pocket, along with a small artist's kit. This gave Henri the chance to practice his style on the go, by 1895 he had completely reconsidered Impressionism calling it "new academism."