《中午，波士顿圣托布尔大街》乔治·卢克斯(George Luks)高清作品欣赏

乔治·卢克斯(George Luks)高清作品《中午，波士顿圣托布尔大街》

作品名：中午，波士顿圣托布尔大街

艺术家：乔治·卢克斯

年代：1928

风格：新现实主义

类型：城市风貌

乔治·卢克斯是一位与罗伯特·亨利和阿什干学派有联系的现实主义画家，他选择了纽约市拥挤的街道，以及城市和农村的穷人作为研究对象。他以画中的矿工、老年妇女、移民儿童和摔跤手的画作著称（见45.9）。卢克斯一生中鲜为人知的一个章节是在1922年和1923年对波士顿进行长期访问期间画了十多幅油画和水彩画。他以前的学生，Margarett Sargent McKean，萨金特的表弟和一个有抱负的艺术家的客人。1917年，玛格丽特·萨金特遇到了卢克斯，并开始和他一起学习绘画。到20世纪20年代末，她正在画惊人的现代主义油画，并开始在纽约的克劳斯哈尔画廊展出她的作品。

Title:Noontime, St. Botolph Street, Boston

artist:George Luks

Date:1928

Style:New Realism

Genre:cityscape

George Luks, a realist painter associated with Robert Henri and the Ashcan school, chose the crowded streets of New York City, and the urban and rural poor as his subjects. He is noted for his broadly-brushed paintings of miners, elderly women, immigrant children, and wrestlers (see 45.9). In a lesser-known chapter of his life, Luks painted more than a dozen oils and watercolors during an extended visit to Boston in 1922 and 1923. He was the guest of a former student, Margarett Sargent McKean, a cousin of John Singer Sargent and an aspiring artist. Margarett Sargent had been an apprentice of sculptor Gutzon Borglum in 1917, when she met Luks and began to study painting with him. By the late 1920s, she was painting strikingly modernist oils and began to exhibit her work at Kraushaar Galleries in New York.