《来自格林威治村的城市》约翰法国斯隆(John French Sloan)高清作品欣赏

约翰法国斯隆(John French Sloan)高清作品《来自格林威治村的城市》

作品名：来自格林威治村的城市

艺术家：约翰法国斯隆

年代：1922

风格：新现实主义

类型：城市风貌

材质：布面油彩

标签：街道和广场，房屋和建筑，道路和车辆，黄昏和夜晚

收藏：国家艺廊，华盛顿特区，美国

约翰·斯隆以他在纽约贫困移民区的现实主义生活表现而著称。这幅画于1922年，从格林威治村工作室的屋顶俯瞰曼哈顿下城的夜景，被认为是斯隆城市风景的顶峰。斯隆在描述这幅画时说，它“记录了旧城的美丽，它让位于现代纽约被砍掉的塔楼。”左下角。这个虚构的品牌是指在禁令期间流行的非法蒸馏和分发的酒。被截断的月亮图片唤起了城市的人造电照明，从而有效地掩盖了：自然的月光。尽管斯隆对城市现代化持批判态度，这幅画仍具有不可思议的品质，因为人们可以俯瞰格林威治村下第六大道上的高架火车轨道，看到地平线上那座灯光怪异的摩天大楼——伍尔沃斯大厦和歌手塔。

Title:The City from Greenwich Village

artist:John French Sloan

Date:1922

Style:New Realism

Genre:cityscape

Media:oil,canvas

Tag:streets-and-squares,houses-and-buildings,roads-and-vehicles,twilight-and-night

Location:National Gallery of Art, Washington, DC, US

John Sloan was noted for his realist representations of life in New York City’s poor immigrant neighborhoods. Painted in 1922, this nocturnal vista of Lower Manhattan, seen from the roof of his Greenwich Village studio, is regarded as the culmination of Sloan’s city scenes. In his own description of the picture, Sloan stated that it “makes a record of the beauty of the older city which is giving way to the chopped-out towers of the modern New York.” Sloan has commented on the artifice of the modern city by including the Moonshine advertisement on a building at the lower left. This fictional brand is a reference to the illicitly distilled and distributed liquor that was popular during Prohibition. The truncated moon graphic evokes what the city’s artificial electric lighting so effectively obscures: natural moonlight. Despite Sloan’s critical attitude toward urban modernization, the painting possesses a magical quality, as one looks over the elevated train tracks on Greenwich Village’s lower Sixth Avenue toward the eerily illuminated skyscrapers—the Woolworth Building and Singer Tower—on the horizon.