《酒店大堂》爱德华·霍普(Edward Hopper)高清作品欣赏

爱德华·霍普(Edward Hopper)高清作品《酒店大堂》

作品名：酒店大堂

艺术家：爱德华·霍普

年代：1943

风格：社会现实主义

类型：风俗画

材质：布面油彩

标签：家具装饰

尺寸：103.5 X 82.55厘米

《酒店大堂》是霍珀作品中的一个标志性作品，展示了他经典的离奇与简洁主题。跳蚤经常旅行，在他的职业生涯中呆在许多汽车旅馆里。这是他的目录中描述旅馆的两个作品中的一个，另一个是“酒店窗”（1955）。这也是他在1952创作的两幅作品中的一部，这两部作品都与异化的夫妇打交道。据信，这对年长的夫妇代表了霍珀和他妻子，那时候他们才60多岁。酒店客人被描述为“既旅行又暂停”，反映了一种冷静而戏剧化的感觉，让人想起霍珀可能看过的黑色电影和合作社。埃德嘉·德嘉的作品结构和情感。这幅画利用粗糙的光线和坚硬的线条来营造一个“精心营造”的不舒服的环境。这幅画的高度和戏剧性的优势可能源于霍珀对百老汇剧院的热爱，他经常在阳台上观看。

Title:Hotel Lobby

artist:Edward Hopper

Date:1943

Style:Social Realism

Genre:genre painting

Media:oil,canvas

Tag:furniture-and-decoration

Dimensions:103.5 x 82.55 cm

'Hotel Lobby' is a signature piece in Hopper's work, displaying his classic themes of alienation and brevity. The Hoppers traveled frequently, staying in many motels and hotels throughout his career. This is one of two works in his catalog that depicts a hotel, the other being 'Hotel Window' (1955). It is also one of the two paintings that he created in 1952, both of which dealt with alienated couples. The older couple are believed to represent Hopper and his wife, at that date in their 60s. The hotel guests have been described as being "both traveling and suspended in time," reflecting a stoic and dramatic feeling, reminiscent of the film noir movies Hopper might have seen and the complex structure and feeling of works by Edgar Degas. The painting utilizes harsh light and rigid lines to create a "carefully constructed" uncomfortable environment. The elevated and theatrical vantage point of the painting may be derived from Hopper's love of Broadway theatre which he often watched from the balcony.