乔治·贝洛斯

乔治·贝洛斯

George Bellows(1882-1925)
新现实主义(美国现实主义)艺术家贝洛斯(George Bellows)专题网站

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《悬崖居民》乔治·贝洛斯(George Bellows)高清作品欣赏

油画 12227
乔治·贝洛斯
George Bellows

乔治·贝洛斯(George Bellows)高清作品《悬崖居民》乔治·贝洛斯(George Bellows)高清作品《悬崖居民》

作品名:悬崖居民

艺术家:乔治·贝洛斯

年代:1913

风格:美国现实主义

类型:风俗画

介质:油画

收藏:洛杉矶县艺术博物馆(参观),洛杉矶,加州,美国

《悬崖上的居民》在1913军械库展览中展出,风箱帮助组织起来。画家在纽约下东区捕捉到了五彩缤纷的人群。这似乎是一个炎热的夏天。人们从房屋建筑中涌出街道、弯腰和消防逃生通道。头顶上的洗衣襟翼和一个街头小贩在所有的交通工具中用手推车兜售货物。背景中,一辆电车朝着维西街走去。在这幅画中,阴影是显而易见的,因为根据每个建筑物的明暗阴影来确定每个建筑物的距离。这也有助于让观众看起来比我们实际看到的更深刻。如此庞大的人群与眼前的前景形成鲜明对比,使我们的眼睛特别关注这一地区的主题,从而显示出它们对这幅画的意义。进一步研究克里夫居住者的构成,特别是所用的颜色系统,乔治·波洛斯的绘画,对波洛斯大部分作品的评论,指出:“波洛斯继续使用马拉塔的系统来选择绘画的调色板,直到1913年……1913年5月画的埃勒斯是个例外,代表了他对马拉塔色彩系统最复杂的探索。艺术是什么,它如何不同于所有其他作品不仅在主题或主题,而且在颜色。

Title:The Cliff Dwellers

artist:George Bellows

Date:1913

Style:American Realism

Genre:genre painting

Media:oil

Location:Los Angeles County Museum of Art (LACMA), Los Angeles, CA, US

Cliff Dwellers was exhibited in the 1913 Armory Show, which Bellows helped organize. The painter captures the colorful crowd on New York City’s Lower East Side. It appears to be a hot summer day. People spill out of tenement buildings onto the streets, stoops, and fire escapes. Laundry flaps overhead and a street vendor hawks his goods from his pushcart in the midst of all the traffic. In the background, a trolley car heads toward Vesey Street. Shadowing is evident throughout this painting as make out the distance of each building based on the light and dark shade of each one. This also helps make the crowd seem deeper than we can actually see. The perception of such a large crowd contrasts with the immediate foreground, which leads our eye specifically to the subjects in this area and therefore displaying their significance to this painting. Looking further into the composition of Cliff Dwellers specifically in the system of colors used, The Paintings of George Bellows”, a commentary on most of Bellows’ work, states that: “Bellows continued to use Maratta’s system to select the palettes of the paintings through 1913… Cliff Dwellers, painted in May 1913, was the exception, representing his most complex exploration of the Maratta color system.” The significance of Bellows’ willingness to stray away from his usual system of color and choose a more monochromatic scale of colors, shows the audience how unique this piece of art is and how it differs from all other works not only in subject or theme but also in color.