《无限的怀旧》乔治·德·基里科(Giorgio de Chirico)高清作品欣赏

乔治·德·基里科(Giorgio de Chirico)高清作品《无限的怀旧》

作品名：无限的怀旧

艺术家：乔治·德·基里科

年代：C.1911-1913；Paris，France

风格：形而上学艺术

类型：城市风貌

材质：布面油彩

标签：大门和塔

尺寸：123.5×52.5厘米

收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国

这幅画是塔式主题的一个例子，塔式主题是德奇里科作品中一个反复出现的元素，其中最著名的是无限的怀旧。根据艺术历史学家罗伯特·休斯的说法，这座塔的灵感来自意大利都灵市的标志性建筑——鼹鼠安东尼利亚娜。作为一个新兴的艺术家，德奇里科旅行到都灵，灵感来自于它的形而上存在，尤其是它的广场和拱门的建筑。这个城市也是他与尼采联系的城市，尼采偶尔在都灵避暑，德奇里科是其哲学的追随者。在现代媒体中，这一形象影响了《Ico》游戏盒封面的绘画，它从德奇里科作品中显而易见的许多广阔而孤独的区域里汲取了艺术灵感。

Title:The Nostalgia of the Infinite

artist:Giorgio de Chirico

Date:c.1911 - 1913; Paris, France

Style:Metaphysical art

Genre:cityscape

Media:oil,canvas

Tag:gates-and-towers

Dimensions:123.5 x 52.5 cm

Location:Museum of Modern Art (MoMA), New York City, NY, US

This painting is an example of the tower theme, which was a recurring element in De Chirico’s works, The Nostalgia of the Infinite of which is the most famous. According to art historian Robert Hughes, the tower draws inspiration from the Mole Antonelliana, a landmark tower in the city of Turin, Italy. During his travels as an emerging artist, De Chirico traveled to Turin, and was inspired by its metaphysical presence, especially the architecture of its piazzas and archways. It was also a city he connected with Nietzsche, who occasionally summered in Turin, and of whose philosophy De Chirico was a follower. In modern media, this image has influenced the painting for the box cover of the video game Ico, which draws artistic inspiration from the many vast and lonely expanses apparent in De Chirico’s works.