《耕田》胡安·米罗(Joan Miro)高清作品欣赏

胡安·米罗(Joan Miro)高清作品《耕田》

作品名：耕田

艺术家：胡安·米罗

年代：1923

风格：超现实主义

类型：景观

材质：布面油彩

标签：梦与幻觉

尺寸：×66厘米92.7

收藏：所罗门古根海姆博物馆，纽约市，纽约，美国

《倾斜的田野》以复杂的、常常难以理解的形式流行，以其令人困惑的图象学，是对米洛的加泰罗尼亚故乡风景的抽象描绘。这幅画充满了有机的形式，这些有机形式似乎与自然界相悖地融合和融合，这证明了米洛在他职业生涯的这个阶段不断增加的风格化和抽象性。这幅画可以看作是对西班牙过去的敬意和对欧洲政治动乱的声明。米的作品以微妙的方式频繁地表达了他的政治情感，就像这部作品一样，也从二战前到二战后的整个时期都表达了他的政治情感。这幅画还强调了米洛一到巴黎，就与先前的自然主义风格大相径庭，并接触到创新蓬勃发展的那个城市的前卫艺术。

Title:The Tilled Field

artist:Joan Miro

Date:1923

Style:Surrealism

Genre:landscape

Media:oil,canvas

Tag:dreams-and-hallucinations

Dimensions:66 x 92.7 cm

Location:Solomon R. Guggenheim Museum, New York City, NY, US

Populated with complex, often inscrutable forms, The Tilled Field, with its puzzling iconography, is an abstract depiction of the landscape of Miró's Catalan homeland. The painting, teeming with organic forms that merge and meld seemingly in defiance of nature, is a testament to Miró's ever-increasing stylization and abstraction at this point in his career. The picture may be viewed as both an homage to Spain's past and a statement on the political upheaval in Europe. In subtle ways, Miró's works frequently expressed his own political sentiments as does this one as well as works from the period leading up to and throughout World War II. The painting also emphasizes how extremely radical was Miró's departure from his previous, naturalist style once he arrived in Paris and was exposed to the avant-garde art of that city in which innovation thrived.