《创世纪（曼加利亚文化大厦壁画）》朱勒佩拉赫(Jules Perahim)高清作品欣赏

朱勒佩拉赫(Jules Perahim)高清作品《创世纪（曼加利亚文化大厦壁画）》

作品名：创世纪（曼加利亚文化大厦壁画）

原名：吉尼斯

艺术家：朱勒佩拉赫

年代：1959年至1962年，曼加利亚，罗马尼亚

风格：社会主义现实主义

类型：镶嵌

介质：马赛克

曼加利亚的文化之家是由建筑师Nicolae Vladescu构思的。装饰前面的壁画是由Jules Perahim设计的，与Mac Constantinescu合作。这幅壁画由3.15万件彩色清真寺（每件2x2厘米）组成，面积超过300平方英尺，据说是东欧社会主义国家最大的壁画。尽管它的意义不远于社会主义现实主义，但教条主义者批评它缺乏共产主义符号（锤子、镰刀等），被原素主义所取代，还有令人想起现代主义和佩拉欣早期绘画的鲜艳的色彩和尖锐的角落。显然，Perahim不得不承受的反响促成了他离开罗马尼亚的不满。

Title:Genesis (Mural for the House of Culture in Mangalia)

Original Title:Geneze

artist:Jules Perahim

Date:1959 - 1962; Mangalia, Romania

Style:Socialist Realism

Genre:mosaic

Media:mosaïque

The House of Culture in Mangalia was conceived by architect Nicolae Vladescu. The mural piece that adorns the front was designed by Jules Perahim, in collaboration with Mac Constantinescu. Consisting of 3.150.000 colorful pieces of mosaique (each measuring 2x2 cm) and measuring more than 300 square feet, the piece was said to be the biggest mural from a socialist Eastern Europe country. In spite of its meaning not very far from that of socialist realism, the work was criticized by dogmatists for its lack of Communist symbols (hammer, sickle, etc.), replaced by elementalism, as well as the vibrant colors and sharp corners reminiscent of modernism and of Perahim's early paintings. Apparently, the repercussions Perahim had to suffer contributed to the insatisfaction that led him to leave Romania.