恩里科·本治(Enrico Baj)高清作品《火!火!(火,火)》
作品名:火!火!(火,火)
艺术家:恩里科·本治
年代:1964
风格:新达达艺术
类型:比喻
巴杰曾画过许多幽默的讽刺画,描写人们有时称之为“有装饰的人”,其中最受欢迎的主题是身着腰带和奖章的高级军官,他们挥舞着某种命令。还有大约六张其他1963-4年的照片,它们有着非常相似的数字(有些是单个数字,有些是一排数字)。这位艺术家指出(1974年10月28日的信),在这幅画中,就像在同一时期的许多其他画中一样,他使用了英国麦卡诺竖立器套件的备件。这张照片的背面有一张1964年威尼斯双年展的标签,标题是“阿尔托的玛尼”(举手),但没有出现在双年展目录中列出的贝吉的作品中。据捐赠者说,这是因为在Baj的其他一些作品被意大利双年展馆长指责对意大利当局和军队不敬之后,在最后一刻添加的。这位艺术家补充说,1964年修改这幅画时,画名就改变了;因此可以同时使用1963年(刻在担架上)和1964年的两个日期。
Title:Fire! Fire! (Al fuoco, al fuoco)
artist:Enrico Baj
Date:1964
Style:Neo-Dada
Genre:figurative
Baj has painted many humorously satirical pictures of what are sometimes known as 'decorated people', a favourite theme being high-ranking army officers bedecked with sashes and medals who are gesticulating some command. There are about half-a-dozen other pictures of 1963-4 with very similar figures (some with single figures, some with a row of figures). The artist points out (letter of 28 October 1974) that in this painting, as in many others of the same period, he used spare pieces of English 'Meccano' erector sets. This picture has a label of the 1964 Venice Biennale on the back with the title 'Mani in Alto' (Hands up), but does not appear among the works by Baj listed in the Biennale catalogue. According to the donor, the reason for this was that it was added at the last moment after some other works by Baj were censured by the Italian curators of the Biennale for being irreverent towards the Italian authorities and army. The artist adds that the title was changed when the painting was modified in 1964; the two dates 1963 (which is inscribed on the stretcher) and 1964 can therefore be used together.
作品名称:《火!火!(火,火)》恩里科·本治(Enrico Baj)高清作品欣赏
作品链接:https://www.mei-shu.com/famous/26006/artistic-55813.html
作品类别:油画
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