让·福特里尔(Jean Fautrier)高清作品:D&ampépouille

让·福特里尔(Jean Fautrier)高清作品《D&épouille》

作品名：D&épouille

艺术家：让·福特里尔

年代：1945

风格：无形式艺术

类型：抽象

介质：混合,纸,亚麻布

收藏：现代美术馆（MOCA），洛杉矶，CA，美国

德普维尔的一个译本是“人类遗骸”。这幅画是让·福特利尔的《奥塔吉斯》（或《人质》）系列作品，是对二战期间纳粹士兵在德国占领的法国造成的恐怖的回应。福特利尔出生在巴黎，在伦敦接受教育，但在第一次世界大战期间在法国军队服役。1940年返回巴黎，但因战争期间受伤而无法服役，福特利尔因参与抵抗而被盖世太保暂时拘留。随后，他逃到巴黎郊区Chtenay-Malabry的一家疗养院，在那里，他画得离树林很近，德国军队在树林里夜间进行屠杀。艺术家发展了一种将纸层粘在帆布上的技术，以创造一个吸收性皮肤样表面，他在上面施加一个厚厚的冲击力以呈现一个类似被残暴或半埋头的形状；以这种方式，福特利尔使用浮雕绘画来唤起对身体的亵渎。

Title:D&épouille

artist:Jean Fautrier

Date:1945

Style:Art Informel

Genre:abstract

Media:mixed technique,paper,linen

Location:Museum of Contemporary Art (MOCA), Los Angeles, CA, US

One translation of Dépouille is “human remains.” This painting is from Jean Fautrier’s series Otages (or, “Hostages”), a response to the horrors inflicted by Nazi soldiers in German-occupied France during World War II. Born in Paris, Fautrier was educated in London but served in the French army during World War I. Returning to Paris in 1940 but unable to serve because of injuries sustained during that war, Fautrier was temporarily detained by the Gestapo because of his involvement in the resistance. He subsequently fled to a sanatorium in the Parisian suburb of Ch?tenay-Malabry, where he painted within earshot of the woods where German forces conducted massacres at night. The artist developed a technique of gluing layers of paper to canvas to create an absorbent skin-like surface on which he applied a thick impasto to render a form that may resemble a brutalized or half-buried head; in this way, Fautrier used relief painting to evoke the desecration of the body.