马尔登(Brice Marden)
艺术家: 马尔登
生于: 1938年10月15日；纽约州布朗士，美国
国籍: 美国
流派: 抽象表现主义,极简主义
领域: 绘画,版画
布莱斯·马登（生于1938年10月15日）是美国艺术家，通常被描述为极简主义者，虽然很难将他的作品归类。他住在纽约，只不过是老鹰。马登由马修·马克斯画廊代表。
他1961年就读于波士顿大学美术与应用艺术学院，获得学士学位，1963年就读于耶鲁大学艺术与建筑学院。第二年，他创作了第一幅单面单色画，通过这幅画，他促进了极简主义美学的兴起。马登把抽象表现主义的绘画品质与极简主义的思想严谨结合起来，在情感强度和形式简单之间取得了平衡。
在他早期的绘画中，马登在厚实的工作表面的底部边缘留下了一片狭小的空隙。与蜡混合的油，让观察者成为过程的见证者。在以后的作品中，他通过将单一颜色的面板以垂直或水平格式连接在一起，从而形成了微妙的颜色组合。从1975年开始，他开始每年访问希腊，从希腊风景的光线和色彩中得到灵感，在选题时也提到了神话。在1977年为巴塞尔大教堂的彩色玻璃窗设计好后，他开始对在绘画中表达建筑中的色彩和光线条件感兴趣。
>他创作了一系列25幅蚀刻画，其中他引用了中国的表意文字，并介绍了一个网络。蜿蜒曲折的线条进入他的画作。这些作品中，单色面板现在充当背景色域，与他以前的风格有了戏剧性的不同，但它们继续强调触摸、表面、颜色和色调的重要性。
Artist :Brice Marden
Additional Name :Brice Marden
Born : Bronxville, New York, United States
Nationality :American
Art Movement :Abstract Expressionism,Minimalism
Field :painting,printmaking
Brice Marden (born October 15, 1938), is an American artist, generally described as Minimalist, although it is difficult to categorize his work. He lives in New York and Eagles Mere. Marden is represented by the Matthew Marks Gallery.
He studied at Boston University School of Fine and Applied Arts, receiving his BFA in 1961, and to 1963 at Yale University School of Art and Architecture. In the following year he produced his first single-panel monochromatic paintings, through which he contributed to the emerging aesthetic of Minimalism. Bringing together the painterly quality of Abstract Expressionism with the intellectual rigours of Minimalism, Marden achieved a balance between emotional intensity and formal simplicity.
In his early paintings Marden left a bare narrow margin at the bottom edge of the thickly worked surface of oil mixed with wax to allow the observer to be witness to the process. In later works he developed subtle colour combinations by joining together panels of a single colour in either vertical or horizontal formats. From 1975, when he began making annual visits to Greece, he took inspiration from the light and colour of its landscape and also made reference to mythology in his choice of titles. After preparing designs for stained-glass windows for Basle Cathedral in 1977, he became interested in expressing in his paintings the conditions of colour and light in architecture.
After producing a series of 25 etchings in which he made reference to Chinese ideograms, he introduced a network of meandering lines into his paintings. These works for which monochrome panels now acted as background colour fields, provided a dramatic departure from his previous style, but they continued to stress the importance of touch, surface, colour and tone.
