《作文》阿尔贝托·布里(Alberto Burri)高清作品欣赏

阿尔贝托·布里(Alberto Burri)高清作品《作文》

作品名：作文

原名：合成酮

艺术家：阿尔贝托·布里

年代：1953

风格：无形式艺术

类型：抽象

介质：油画,金,帆布,粗麻布

收藏：所罗门古根海姆博物馆，纽约市，纽约，美国

作曲是他的萨克奇作品之一，是一组拼贴作品，由安装在担架上的麻袋制成，艺术家于1949年开始制作。作为Burri使用非传统媒介的第一个系列之一，Sacchi最初被认为是对已确立的美学经典的攻击。他使用简陋的袋子可以看作是天然的、短暂的材料内在美的宣言，这与传统的“高”艺术媒介不同，后者因炫耀和持久而受到尊重。早期的评论家认为，Sacchi的补丁表面比喻为战争期间被侵犯的活肉，这种缝合与艺术家作为医生的实践有关。另一些人认为，战后意大利生活的艰辛，预示着艺术家重新部署的袋子，其中救济物资被送往该国。

Title:Composition

Original Title:Composizione

artist:Alberto Burri

Date:1953

Style:Art Informel

Genre:abstract

Media:oil,gold,canvas,burlap

Location:Solomon R. Guggenheim Museum, New York City, NY, US

Composition is one of his Sacchi (sacks), a group of collage constructions made from burlap bags mounted on stretchers, which the artist began making in 1949. One of Burri’s first series employing nontraditional mediums, the Sacchi were initially considered assaults against the established aesthetic canon. His use of the humble bags may be seen as a declaration of the inherent beauty of natural, ephemeral materials, in contradistinction to traditional “high” art mediums, which are respected for their ostentation and permanence. Early commentators suggested that the patchwork surfaces of the Sacchi metaphorically signified living flesh violated during warfare—the stitching was linked to the artist’s practice as a physician. Others suggested that the hardships of life in postwar Italy predicated the artist’s redeployment of the sacks in which relief supplies were sent to the country.