嶋本昭三

嶋本昭三

Shozo Shimamoto(1928-)
无形式艺术,抽象绘画艺术家岛本昭子(Shozo Shimamoto)专题网站

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《洞》嶋本昭三(Shozo Shimamoto)高清作品欣赏

油画 4841
嶋本昭三
Shozo Shimamoto

嶋本昭三(Shozo Shimamoto)高清作品《洞》嶋本昭三(Shozo Shimamoto)高清作品《洞》

作品名:洞

艺术家:嶋本昭三

年代:1954

风格:无形式艺术

类型:抽象

介质:油画,纸

收藏:泰特现代,伦敦,英国

孔是根据艺术家的一系列作品之一,在1949或1950开始。这幅画是在日本新宫市的艺术家工作室里创作的,使用了许多报纸,上面有一张棕色的盒纸,用面粉和水制成的胶水粘在一起。然后它被涂成白色,略带淡蓝色,其表面被不规则地刺穿,露出底下的不同层和这幅画的木质底板。从远处看,总体效果是月球景观,所有陨石坑和隆起物。一方面是细腻的色调和吸引人的表面之间的对比,另一方面是岛本冲破表面的暴力与破坏性,可以说这暗示了他作品中感受到的暴力与美丽与秩序品质之间的一种有趣的关系。在日本传统文化中珍视。

Title:Holes

artist:Shozo Shimamoto

Date:1954

Style:Art Informel

Genre:abstract

Media:oil,paper

Location:Tate Modern, London, UK

Holes is one of a series of works which, according to the artist, was begun either in 1949 or 1950. Created in the artist’s studio in Nishinomiya City, Japan, it was made using a number of sheets of newspaper, topped with a sheet of brown cartridge paper, pasted together with a glue made with flour and water. It was then painted white with hints of pale blue, and its surface was pierced irregularly to reveal the different layers underneath and the painting’s wooden backboard. Viewed from a distance, the overall effect is that of a lunar landscape, all craters and bumps. The contrast between the delicate hues and appealing surface on the one hand, and the violence and destructiveness of Shimamoto’s piercing of the surface on the other, can be said to suggest an interesting relationship between the perceived violence of his work and the qualities of beauty and order prized in traditional Japanese culture.