特鲁伊特(Anne Truitt)
艺术家: 特鲁伊特
生于: 1921年3月16日；巴尔的摩，马里兰州，美国
卒于: 2004年12月23日；华盛顿特区，美国
国籍: 美国
流派: 画后抽象,极简主义
领域: 绘画,雕塑,安装
安妮·特鲁伊特是美国20世纪中叶的一位重要艺术家，她与极简主义和色彩田园画都有联系。
特鲁伊特1943年毕业于布莱恩·莫尔学院，获得心理学学位。1948年，她嫁给了詹姆斯·特鲁伊特（1969年离婚），1950年代她成为了一名全职艺术家。她在20世纪60年代早期创作了被认为是她最重要的作品，在很多方面都期待着唐纳德·贾德和埃尔斯沃斯·凯利等极简主义者的作品。然而，在一些重要的方面，她与极简主义者不同。
Truitt'的第一个木雕，名为&."(1961)，由三块根植在一个块地上的白色垂直石板组成，每块石板都指向一个点，并在后面互相支撑，就像一块碎片。尖桩篱笆。
使她对极简主义发展具有重大意义的雕塑是具有攻击性的朴素和绘画结构，通常很大。她雕塑下的衰退平台刚好把它们抬离地面，使它们好像漂浮在一条薄薄的阴影线上。雕塑与地面之间的界限，在重力和垂直度之间，是虚幻的。这种形式上的矛盾反映在她的坚持，例如，颜色本身包含一个心理振动，当它被净化时，就像在艺术品上那样，它隔离了事件作为一个东西而不是感觉。事件变成了一件艺术品，一种色彩传递的视觉感受。她的第一次个人展览是在1963年的安德&安普_·埃默里奇画廊，从许多意义上说，她的作品也切合了正在出现的东西。她是纽约犹太人博物馆有影响力的1966大展览中的三位女性之一。在华盛顿，她的作品由金字塔画廊代表，后来成为奥斯纳画廊。
特鲁伊特还以她写的三本书而闻名，《日记》、《转向》和《展望》，都是期刊。多年来，她与马里兰大学帕克分校以及艺术家&39;殖民地亚多有联系，在那里她担任临时校长。
安妮·特鲁伊特的庄园由纽约的马修·马克斯画廊和斯蒂芬·弗里德曼画廊代表。在伦敦。
Artist :Anne Truitt
Additional Name :Anne Truitt
Born : Baltimore, Maryland, United States
Died : Washington, D.C., United States
Nationality :American
Art Movement :Post-Painterly Abstraction,Minimalism
Field :painting,sculpture,installation
Anne Truitt was a major American artist of the mid-20th century; she is associated with both minimalism and Color Field painting.
Truitt graduated from Bryn Mawr College with a degree in psychology in 1943. She was married to James Truitt in 1948 (they divorced in 1969), and she became a full-time artist in the 1950s. She made what is considered her most important work in the early 1960s anticipating in many respects the work of minimalists like Donald Judd and Ellsworth Kelly. However, she was unlike minimalists in some significant ways.
Truitt's first wood sculpture, titled "First" (1961), consists of three white vertical slates rooted in a block ground, each coming to a point and braced to each other at the rear, resembling a fragment of a picket fence.
The sculpture that made her significant to the development of Minimalism were aggressively plain and painted structures, often large. The recessional platform under her sculpture raised them just enough off the ground that they appeared to float on a thin line of shadow. The boundary between sculpture and ground, between gravity and verticality, was made illusory. This formal ambivalence is mirrored by her insistence that color itself, for instance, contained a psychological vibration which when purified, as it is on a work of art, isolates the event it refers to as a thing rather than a feeling. The event becomes a work of art, a visual sensation delivered by color. Her first solo exhibition was in 1963 at the André Emmerich gallery, and in many senses her work also hews to what was emerging there. She was one of only three women included in the influential 1966 exhibition, Primary Structures at the Jewish Museum in New York. In Washington her work was represented by Pyramid Gallery which later became the Osuna Gallery.
Truitt is also known for three books she wrote, Daybook, Turn, and Prospect, all journals. For many years she was associated with the University of Maryland, College Park, where she was a professor, and the artists' colony Yaddo, where she served as interim president.
The Estate of Anne Truitt is represented by Matthew Marks Gallery in New York and Stephen Friedman Gallery in London.
