《铃木（广岛）》尚·丁格利(Jean Tinguely)高清作品欣赏

尚·丁格利(Jean Tinguely)高清作品《铃木（广岛）》

作品名：铃木（广岛）

艺术家：尚·丁格利

年代：1963

风格：机动艺术,新现实主义

类型：雕塑

介质：橡胶,铁,混凝土

1963年2月，Jean Tinguely抵达东京，准备在美术馆展览。按照他的习俗，这位艺术家利用他在日本发现的材料，在日本现场，尤其是为了展览，执行他的雕塑。他使用的部分因此参考东道国。Tungury搜查了东京的垃圾场，为他可以在他的雕塑中使用的碎片，然后把它们放在画廊里。他对他的朋友Pontus Hulten热情洋溢地写道：他称他的新雕塑“卡索”、“Zing Zing”、“本田”和“铃木”。在“Baluas”和前几年的其他野生雕塑之后，这些机器以平静、适度的节奏移动。然而，强大的暴力喷发在任何时刻仍然是可能的。

Title:Suzuki (Hiroshima)

artist:Jean Tinguely

Date:1963

Style:Kinetic Art,Nouveau Réalisme

Genre:sculpture

Media:rubber,iron,concrete

In February 1963, Jean Tinguely arrived in Tokyo to prepare an exhibition at the Minami Gallery. As was his custom, the artist executed his sculptures on site in Japan, especially for the exhibition, using materials he found there. The parts he uses thus make reference to the host country. Tinguely searched Tokyo’s junkyards for pieces he could use in his sculptures and then put them together at the gallery. “J‘ai fait des Ikebanas stabilisés“, he wrote enthusiastically to his friend Pontus Hulten. He called his new sculptures “Casoar”, “Zing-Zing”, “Honda” and “Suzuki”. After the “Balubas“ and the other wild sculptures of previous years, these machines move in a calmer, more moderate rhythm. Nevertheless, a powerful, violent eruption still seems possible at any moment.