《罗慕路斯与雷穆斯》亚历山大·考尔德(Alexander Calder)高清作品欣赏

亚历山大·考尔德(Alexander Calder)高清作品《罗慕路斯与雷穆斯》

作品名：罗慕路斯与雷穆斯

艺术家：亚历山大·考尔德

年代：1928

风格：表现主义

类型：雕塑

收藏：所罗门古根海姆博物馆，纽约市，纽约，美国

《Romulus》和《Remus》是罗马神话中的一个被保护狼吮吸的奠基人。这个场景，经常在西方艺术中描绘，在这里以一种非常奇怪的方式呈现：男孩的生殖器和狼的乳头都由木制的门顶代表。雕塑的电枢由一根被扭曲和弯曲的单线组成，以表示体积和空隙。罗穆卢斯和雷姆斯是一幅在太空中完成的绘画，其轮廓相当于卡尔德对杂技演员和动物的快速、缩略的铅笔素描。它虽然娱乐性强，操作简单，但探讨了20世纪雕塑的关键问题：空间与质量的互换性，半透明性，以及二维与三维的关系。当考尔德尝试其他不寻常的材料时，他最喜欢的媒介是金属丝。它的灵活性和振动能力可能激发了他的动感雕塑。

Title:Romulus and Remus

artist:Alexander Calder

Date:1928

Style:Expressionism

Genre:sculpture

Location:Solomon R. Guggenheim Museum, New York City, NY, US

Romulus and Remus represents the mythological founders of Rome being suckled by a protective she-wolf. This scene, often depicted in Western art, is rendered here in a most whimsical manner: both the boys’ genitals and the wolf’s nipples are represented by wooden doorstops. The sculpture’s armature consists of a single wire that is twisted and bent to suggest both volume and void. Romulus and Remus is a drawing executed in space; its calligraphic outline is the equivalent of Calder’s rapid, abbreviated pencil-and-pen sketches of acrobats and animals. Although entertaining and uncomplicated in execution, it explores issues critical to 20th-century sculpture: the interchangeability of space and mass, translucency, and the relation of two- to three-dimensionality. While Calder experimented with other unusual materials, his favorite medium was wire. Its flexibility and capacity to vibrate may have inspired his kinetic sculptures.