伊娃·黑塞(Eva Hesse)高清作品:Metronomic Irregularity II

伊娃·黑塞(Eva Hesse)高清作品《Metronomic Irregularity II》

作品名：Metronomic Irregularity II

艺术家：伊娃·黑塞

年代：1966

风格：后极简主义

类型：装置

露西·利帕德组织了这场具有开创性的展览《偏心抽象》，她最初对黑塞选择计量不规则性II参加展览感到失望，这主要是因为该作品明显缺乏性或有机的特质。在这里，我们看到黑塞感兴趣的东西相对没有色情色彩，但同样非同寻常，结婚与表现主义的姿态极简主义形式。确实，两块石板之间空白的墙壁空间相等，它们利用了极简主义的形式化的、高度简化的词汇。然而，这种视觉上无声的印象被近似于20世纪50年代早期“动作绘画”效果的扭曲纤维所克服。这些不同的灵感源泉之间的推拉和如此鲜明对比的纹理产生了一种不和谐，这种不和谐赋予了计量不规则性一种独特的强度，同时唤起时钟的敲打和笼罩一切的暴风雨的混乱。

Title:Metronomic Irregularity II

artist:Eva Hesse

Date:1966

Style:Post-Minimalism

Genre:installation

Lucy Lippard, who organized the seminal show Eccentric Abstraction, was originally disappointed with Hesse's selection of Metronomic Irregularity II for the exhibition, due primarily to the work's apparent lack of sexual or organic qualities. Here, we see Hesse interested in something relatively free of erotic overtones, but just as extraordinary, by marrying Minimalist forms with Expressionist gesture. Indeed, the square pieces of slate with equal spaces of blank wall between them utilize the formal, highly reductive vocabulary of Minimalism. This visually muted impression is overcome, however, by the twisted fibers that approximate the effects of early 1950s "Action Painting". The push and pull between these different sources of inspiration and such starkly contrasting textures create a dissonance that gives Metronomic Irregularity a unique intensity, evoking at once the beat of a clock and the disarray of an all-enveloping windstorm.