《无题》伊娃·黑塞(Eva Hesse)高清作品欣赏

伊娃·黑塞(Eva Hesse)高清作品《无题》

作品名：无题

艺术家：伊娃·黑塞

年代：1960

风格：抽象表现主义

类型：抽象

二十四岁时，伊娃·黑塞对近代艺术史上的一些问题非常熟悉，比如纽约学派的抽象表现主义精神及其“第二代”以色彩田野画的形式做出的反应。据馆长E.Luanne McKinnon说，1960年，她以独立艺术家的身份开始创作一系列后来被称为“幽灵画”的作品。使这些表现主义的抽象统一起来的是它们与人体意象和自画像的调情，尽管如此，它们仍然试图表达一些相对无形的东西，一个反复出现的心理主题，如心境、情绪或记忆。在这幅作品中，黑塞暗示了画家站在画架旁以工作室为基础的自画像的共同形式，尽管一开始人们不会看到这一点，这正是黑塞的意图。与本系列的许多作品一样，Untitled呈现了一个由绿色颜料构成的单色调色板，通过强烈对比的色调来强调或视觉上划分，从而清晰地表达了画布的二维空间。《无题》的分室意象将在黑塞的雕塑作品中重复，例如在《重复十九首》中，并且可能受到黑塞在MOMA同时代的《十六个美国人》中露易丝·内维尔森作品的影响。这里的手势绘画源自黑塞在抽象表现主义风格的训练，而她受限的配色方案和分室倾向可能归因于她在阿尔伯斯的学习。所有人都谈到了她想要简化、缩小和视觉上把主题放在最基本的品质上的愿望。

Title:Untitled

artist:Eva Hesse

Date:1960

Style:Abstract Expressionism

Genre:abstract

At 24, Eva Hesse was well informed on matters of recent art history, such as the Abstract Expressionist ethos of the New York School and its "second generation" response in the form of Color Field painting. In 1960 she set out as an independent artist, producing a series of what have since come to be referred to as "spectre pictures," according to curator E. Luanne McKinnon. What unites these expressionistic abstractions is their flirtation with imagery of the human body and self-portraiture, while they nonetheless seek to express something comparatively intangible, a recurring psychological motif such as a state of mind, a mood or a memory. In this piece, Hesse hints at the common format of a studio-based self-portrait by the painter standing at her easel, although one would not see this at the outset, which is precisely Hesse's intention. As in many of the works from this series, Untitled presents a largely monochromatic palette of green pigment accentuated, or visually compartmentalized, by sharply contrasting tonalities articulating the two-dimensional space of the canvas. The compartmental imagery of Untitled will be repeated in Hesse's sculpture, such as in the Repetition Nineteen pieces, and may have been influenced by Hesse's exposure to the work of Louise Nevelson in MoMA's contemporaneous Sixteen Americans show. The gestural brushwork here derives from Hesse's training in the Abstract Expressionist style, while her restricted color scheme and compartmental leanings might be attributed to her study under Albers. All speaks to her desire to simplify, reduce and visually pare the subject down to its most essential qualities.