《补遗》伊娃·黑塞(Eva Hesse)高清作品欣赏

伊娃·黑塞(Eva Hesse)高清作品《补遗》

作品名：补遗

艺术家：伊娃·黑塞

年代：1967

风格：极简主义,后极简主义

类型：装置

介质：木质

收藏：泰特现代，伦敦，英国

沿着伊娃·黑塞增编条形的半球以固定的数学级数确定的递增间隔定位。许多艺术家在这个时候使用串行系统，因为他们提供了一种不依靠个人表达的雕塑创作方法。黑塞把绳索挂在每一个半球上，绳索以无法预测的卷发落在地上。杆的调节结构与绳的无序外观形成对照。但是，黑塞认识到这样的制度并不合理，他评论说“串行艺术是重复荒谬的另一种方式”。

Title:Addendum

artist:Eva Hesse

Date:1967

Style:Minimalism,Post-Minimalism

Genre:installation

Media:wood

Location:Tate Modern, London, UK

The hemispheres along the bar of Eva Hesse’s Addendum are positioned at increasing intervals determined by a fixed mathematical series. Many artists used serial systems at this time because they provided a way of composing sculptures without recourse to personal expression. Hesse hung rope cords from each hemisphere which fall to the ground in unpredictable curls. The regulated structure of the bar contrasts with the disordered appearance of the cords. But Hesse recognised that such systems were hardly rational, commenting that ‘Serial art is another way of repeating absurdity’.