伊娃·黑塞

伊娃·黑塞

Eva Hesse(1936-1970)
贫穷艺术,后极简主义艺术家伊娃·海瑟(Eva Hesse)专题网站

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《重复十九》伊娃·黑塞(Eva Hesse)高清作品欣赏

油画 9645

伊娃·黑塞(Eva Hesse)高清作品《重复十九》伊娃·黑塞(Eva Hesse)高清作品《重复十九》

作品名:重复十九

艺术家:伊娃·黑塞

年代:1968

风格:后极简主义

类型:装置

介质:玻璃纤维

收藏:现代艺术博物馆(现代艺术博物馆),纽约市,纽约,美国

重复十九,III包括十九个类似桶形,形状相同但没有完全相同。像她这一代的许多艺术家一样,黑塞探索重复作为一种组合策略。然而,她不依赖于极简主义的严格、硬边几何,而是采用更柔和、手工制作的形式。这项工作是由半透明工业玻璃纤维,艺术家最喜爱的材料之一。在视觉上简单的设计,重复实际上是复杂的,因为它的许多联系,既对黑塞的工作至今,以及对她周围的世界。管状物体与黑塞的房室专属保持一致,但它们也具有暧昧性。尽管如此,半透明玻璃纤维允许光辉地穿过容器,赋予复合艺术品平静的田园风光甚至准精神品质。

Title:Repetition Nineteen III

artist:Eva Hesse

Date:1968

Style:Post-Minimalism

Genre:installation

Media:fiberglass

Location:Museum of Modern Art (MoMA), New York City, NY, US

Repetition Nineteen, III comprises nineteen bucketlike forms, all the same shape but none exactly alike. Like many artists of her generation, Hesse explored repetition as a compositional strategy. However, rather than relying on the strict, hard-edged geometry of Minimalism, she deployed softer, handmade forms. This work is made of translucent industrial fiberglass, one of the artist’s favorite materials. Visually simple in its design, Repetition is actually complex for its many associations, both to Hesse's work to that date, as well as to the world around her. The tube-like objects are in keeping with Hesse's compartmental preoccupations, but they are also ambiguously sexual. Even so, the translucent fiberglass allows light to pass through the containers glowingly, lending the composite artwork a calming pastoral or even quasi-spiritual quality.